Book review - Pierre Boulez: Organised Delirium (by Caroline Potter)
Neither a biography of his early years, nor a close analysis of the pieces that blew up post-war...
I am full of admiration for artists and small independent labels with the enterprise and imagination to revive the works...
Reviewed by Jeremy Nicholas in issue: 3/2006
Jos van Immerseel uses an Erard piano of 1897 which he found to be in perfect condition on first discovering...
Reviewed by Joan Chissell in issue: 9/1993
The E flat Trio is immediately handicapped by the slowest, most ponderous reading of the first movement I’ve encountered, and...
Reviewed by Richard Wigmore in issue: 13/1998
Zbigniew Preisner is well known as a composer of film music, particularly to Krzysztof Kiesyowski's Double Life of Veronique (9/98)...
Reviewed by Guy Rickards in issue: 5/2000
German Electrola in the 1950s and 1960s were a veritable gold-mine of recorded material that never found its way into...
Reviewed in issue 10/1998
Music for piano and accordion may be the “central nervous system” of his work but recent discs suggest Howard Skempton’s...
Reviewed by Richard_Whitehouse in issue: 0/2008
A most enjoyable CD, given superbly realistic sound—indeed, this is another case where the presence of the group is positively...
Reviewed by Ivan March in issue: 4/1987
Bergen Baroque consists of recorder, cello, lute and harpsichord/organ. Veracini and Barsanti wrote rewardingly for the recorder, sometimes making advanced...
Reviewed by Nicholas Anderson in issue: 6/1999
Mark Lubotsky is a longstanding friend of Schnittke’s, and he and the composer’s wife Irina gave the first performance of...
Reviewed in issue 10/1997
Klemperer was one of the few great Beethoven conductors—perhaps the only great Beethoven conductor—who consciously determined to record not only...
Reviewed by Richard Osborne in issue: 3/1990
Neither a biography of his early years, nor a close analysis of the pieces that blew up post-war...
Morrison’s Tchaikovsky is a rationalist who rather enjoys himself and aspires to a Mozartian poise...
This Senofsky double pack is revelatory, especially Brahms’s Third Sonata, a thrilling account with...
These are engaging, spontaneous-sounding performances that if widely heard could well spark off a...
Richard Bratby charts the relationship between the conductor and his Italian orchestra
‘Mengelberg’s performances – like Furtwängler’s – were for the most part products of careful...
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