Book review - Pierre Boulez: Organised Delirium (by Caroline Potter)
Neither a biography of his early years, nor a close analysis of the pieces that blew up post-war...
While Gade’s position as the father of Danish music remains secure, outside of Denmarkhis reputation rests on a surprisingly small...
Reviewed by Guy Rickards in issue: 5/2010
Brass bands have come a long way from the days—not so long—ago when they played marches and selections, and works...
Reviewed in issue 9/1993
The Waldbühne‚ Woodland Stage in Berlin where this openair concert took place last July is like a cross between Kenwood...
Reviewed in issue 7/2002
Schoenberg's Society for Private Musical Performances was devoted not only to new works but to scrupulously prepared readings (between ten...
Reviewed by Michael Oliver in issue: 5/1994
A much-respected composer, teacher and director, Nicola LeFanu (b1947) has written more than 60 works to date, yet remains neglected...
Reviewed by Andrew Achenbach in issue: 4/2005
Excellent value here, with a good selection of material to represent the famous tenor and his eminent associates, all finely...
Reviewed in issue 2/1989
Allegro aperto (literally “open allegro”) is Mozart’s odd direction for the first movement of the Oboe Concerto. One dictionary interprets...
Reviewed by Nalen Anthoni in issue: 10/2007
I didn't look for any biographical note about Helene Grimaud before listening to the Sonata No. 2, but after only...
Reviewed by James Methuen-Campbell in issue: 12/1986
William Yeats Hurlstone (1876-1906) was only 23 when his Cello Sonata was first performed, and though he went on to...
Reviewed by Stephen Johnson in issue: 4/1987
Despite some celebrated past recordings, including Mehta’s of the Fourth Symphony (nla) with the Vienna Philharmonic (in which Schmidt played...
Reviewed by Guy Rickards in issue: 6/2009
Neither a biography of his early years, nor a close analysis of the pieces that blew up post-war...
Morrison’s Tchaikovsky is a rationalist who rather enjoys himself and aspires to a Mozartian poise...
This Senofsky double pack is revelatory, especially Brahms’s Third Sonata, a thrilling account with...
These are engaging, spontaneous-sounding performances that if widely heard could well spark off a...
Richard Bratby charts the relationship between the conductor and his Italian orchestra
‘Mengelberg’s performances – like Furtwängler’s – were for the most part products of careful...
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