Book review - Pierre Boulez: Organised Delirium (by Caroline Potter)
Neither a biography of his early years, nor a close analysis of the pieces that blew up post-war...
Many readers will know from a glance at the headings roughly what to expect by way of performance and recorded...
Reviewed in issue 10/1991
This double-album contains the four concertos for flute and strings of Franz Benda. This member of a musical family was...
Reviewed by Nicholas Anderson in issue: 6/1987
From the viewpoint of sound, I'd question the wisdom of asking full price for this 69-minute dip into the five-disc...
Reviewed by Joan Chissell in issue: 9/1994
Roderick Shaw, a Cambridge organ scholar and expatriate, seems to be making a success of marketing Purcell abroad. This is...
Reviewed in issue 6/1990
Four years ago, I put together some “Composers of the Week” programmes for BBC Radio 3 on Johann Christian Bach...
Reviewed by Lindsay Kemp in issue: 1/1997
It’s been fashionable in recent times for record companies to issue ‘Complete Works of … ’ CDs, and this provides...
Reviewed by Christopher Nickol in issue: 12/2000
Philip Pickett's second recording of pilgrim songs and dances is a worthy successor to his earlier ''Pilgrimage to Santiago'' (7/92)....
Reviewed by mberry in issue: 12/1992
Mario Lavista (b1943) is perhaps an unlikely string quartet composer: a sonic pioneer, experimenting with instrumental, orchestral and electroacoustic media...
Reviewed by Guy Rickards in issue: 12/2011
Perhaps I should begin with a brief history of these studies. The 15-year-old Liszt's Op. 1 was a set of...
Reviewed by James Methuen-Campbell in issue: 1/1990
In a shoot-out amongst the guitar's fastest guns in the west Lendle would be one of the last to remain...
Reviewed by John Duarte in issue: 7/1992
Neither a biography of his early years, nor a close analysis of the pieces that blew up post-war...
Morrison’s Tchaikovsky is a rationalist who rather enjoys himself and aspires to a Mozartian poise...
This Senofsky double pack is revelatory, especially Brahms’s Third Sonata, a thrilling account with...
These are engaging, spontaneous-sounding performances that if widely heard could well spark off a...
Richard Bratby charts the relationship between the conductor and his Italian orchestra
‘Mengelberg’s performances – like Furtwängler’s – were for the most part products of careful...
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