Book review - Pierre Boulez: Organised Delirium (by Caroline Potter)
Neither a biography of his early years, nor a close analysis of the pieces that blew up post-war...
Let me say straight away that the Tokyo Quartet's set of the middle-period quartets is among the most impressive to...
Reviewed by Robert Layton in issue: 3/1992
‘He was nearly sixty!’ we used to say in awed tones when we ourselves were nearly 20. About her, ‘nearly...
Reviewed in issue 5/1999
More than a decade has lapsed between instalments of Masaaki Suzuki’s Well-Tempered Clavier. However, Book 2 was worth the wait....
Reviewed by Jed Distler in issue: 5/2009
The most recent disc from the Musical Heritage of Andalusia series produced by the Junta de Andalucia on the Almaviva...
Reviewed by Tess Knighton in issue: 11/1996
To fit Beethoven's five piano concertos and the Choral Fantasia on to three LPs with no turnovers within or between...
Reviewed by Richard Osborne in issue: 11/1986
This first volume of Prokofiev’s nine piano sonatas (10 if you include a final fragment) takes us up to No...
Reviewed by Bryce Morrison in issue: 7/2011
The little solos which introduce the characters in Peter and the Wolf do not augur well here—some of the woodwind...
Reviewed in issue 11/1989
This record is about a painful search for equanimity of spirit; it articulates the toll that such a search exacts,...
Reviewed by Richard Osborne in issue: 8/1984
In both these recordings of Berg’s Lyric Suite, there’s no mistaking the players’ relish for the technical and expressive challenges...
Reviewed by Arnold Whittall in issue: 10/2007
With 140 to choose from‚ here is an excellent selection of Beethoven’s folksong arrangements‚ performed with all due care and...
Reviewed in issue 12/2001
Neither a biography of his early years, nor a close analysis of the pieces that blew up post-war...
Morrison’s Tchaikovsky is a rationalist who rather enjoys himself and aspires to a Mozartian poise...
This Senofsky double pack is revelatory, especially Brahms’s Third Sonata, a thrilling account with...
These are engaging, spontaneous-sounding performances that if widely heard could well spark off a...
Richard Bratby charts the relationship between the conductor and his Italian orchestra
‘Mengelberg’s performances – like Furtwängler’s – were for the most part products of careful...
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