Replay (December 2024): Edith Peinemann, The French Piano School, Géza Anda & Kolisch String Quartet
Rob Cowan’s monthly survey of historic reissues and archive recordings
Thomas Adès’s The Four Quarters reflects, in its title at least, TS Eliot’s Four Quartets, the first of which, ‘Burnt...
Reviewed by Rob Cowan in issue: 06/2022
Volume 1 of this series was welcomed in these pages (10/17) for values of architectural clarity and expressive restraint which...
Reviewed by Peter Quantrill in issue: 06/2022
This is a genuinely remarkable disc. I say this not from any association of its contents with current events, but...
Reviewed by Ivan Moody in issue: 06/2022
Pity Joachim Raff. Pity any fine second-rank composer who had the misfortune to work within the orbit of Liszt, Brahms...
Reviewed by Richard Bratby in issue: 06/2022
The six violin sonatas Mozart composed in Mannheim and Paris during the spring and summer of 1778 don’t often appear...
Reviewed by David Threasher in issue: 06/2022
It’s strange that there aren’t more recordings of Leclair’s Op 5 Violin Sonatas, given how much they have going for...
Reviewed by Charlotte Gardner in issue: 06/2022
Given clubbing’s ubiquity, it’s surprising that there are so few club-culture-themed compositions. An outlier is Richard Baker’s sensuously thrilling The...
Reviewed by Liam Cagney in issue: 06/2022
Previous releases of Taneyev and Borodin (Naxos) and Shostakovich and Auerbach (Odradek) left little doubt as to the Delta Trio’s...
Reviewed by Richard Whitehouse in issue: 06/2022
If you’re not an expert on all things flute, the chances are that the names Franz and Karl Doppler and...
Reviewed by Charlotte Gardner in issue: 06/2022
When the string quintet (two violins, viola, cello, and double bass) versions of the Chopin concertos appear in the antiquarian...
Reviewed by Patrick Rucker in issue: 06/2022
Rob Cowan’s monthly survey of historic reissues and archive recordings
Tim Ashley hears the first instalment in a reissue of Joan Sutherland’s complete recordings
Mark Pullinger enjoys a survey of the ever-youthful tenor’s EMI recordings
Rob Cowan listens to sets of Bruckner and Schubert symphonies, plus a pair of pianists
David Gutman revisits the British conductor’s recordings with two major orchestras
If you are a library, university or other organisation that would be interested in an institutional subscription to Gramophone please click here for further information.