Replay (December 2024): Edith Peinemann, The French Piano School, Géza Anda & Kolisch String Quartet
Rob Cowan’s monthly survey of historic reissues and archive recordings
‘The Guv’nor’ of movie music is quick to acknowledge those who have inspired him – composers and performers alike –...
Reviewed by Edward Seckerson in issue: 07/2022
Andris Nelsons has just completed his Bruckner symphony cycle with the Gewandhausorchester Leipzig and has nearly reached the end of...
Reviewed by Hugo Shirley in issue: 07/2022
Here’s the concluding instalment in Mark Elder’s Vaughan Williams symphony cycle on the Hallé’s own label, its release – and...
Reviewed by Andrew Achenbach in issue: 07/2022
Active as a composer until his late nineties, Jenő Takács enjoyed a creative career almost as long as that of...
Reviewed by Christian Hoskins in issue: 07/2022
Shostakovich’s well-developed sense of irony is so intrinsically wrapped up with his love of popular music – especially that which...
Reviewed by Edward Seckerson in issue: 07/2022
Pablo Heras-Casado becomes the latest of his generation of conductors to record a Schumann cycle. He has form in this...
Reviewed by David Threasher in issue: 07/2022
It’s always a boon when it’s clear from the off that there’s a real relationship at the heart of a...
Reviewed by Charlotte Gardner in issue: 07/2022
Michael Collins favours unusual couplings for his recordings of Mozart’s Clarinet Concerto. His first recording (DG) was paired with Mikhail...
Reviewed by Mark Pullinger in issue: 07/2022
Here’s something new, and I’m talking less about this being German violinist Lea Birringer’s debut concerto disc than the fact...
Reviewed by Charlotte Gardner in issue: 07/2022
James Lee III (b1975) is a master colourist. His orchestration is dazzlingly vivid and teems with detail – so much...
Reviewed by Andrew Farach-Colton in issue: 07/2022
Rob Cowan’s monthly survey of historic reissues and archive recordings
Tim Ashley hears the first instalment in a reissue of Joan Sutherland’s complete recordings
Mark Pullinger enjoys a survey of the ever-youthful tenor’s EMI recordings
Rob Cowan listens to sets of Bruckner and Schubert symphonies, plus a pair of pianists
David Gutman revisits the British conductor’s recordings with two major orchestras
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