Replay (December 2024): Edith Peinemann, The French Piano School, Géza Anda & Kolisch String Quartet
Rob Cowan’s monthly survey of historic reissues and archive recordings
The 1860 Bechstein pianoforte featured in the present recording is apparently a model identical to one of Franz Liszt’s preferred...
Reviewed by Jed Distler in issue: 07/2022
For more than two decades Ayako Ito has been performing on period pianos, such as the one built by Christopher...
Reviewed by Jed Distler in issue: 07/2022
I’m not sure how much William Carter knows about necromancy or quantum physics. But the search for meaning through communicating...
Reviewed by William Yeoman in issue: 07/2022
Alexander Melnikov’s excellent Prokofiev sonatas series concludes with three of the most modest of the nine. Not that ‘modest’ is...
Reviewed by David Fanning in issue: 07/2022
Zlata Chochieva, whose beautiful sound at the piano is of a silvery, crystalline clarity, has chosen to juxtapose Mozart and...
Reviewed by Patrick Rucker in issue: 07/2022
Sandro Fuga (1906 94) came from a northern Italian family of painters and sculptors with – at several removes –...
Reviewed by Guy Rickards in issue: 07/2022
In his booklet notes for Chopin’s Ballades and Piano Sonata No 3, Jae-Hyuck Cho speaks of his goal to attain...
Reviewed by Jed Distler in issue: 07/2022
Some charming playing here from California-born, Paris-based harpsichordist Lillian Gordis, and what’s perhaps even more special is how much it...
Reviewed by Mark Seow in issue: 07/2022
Aside from navigating its considerable technical hurdles and textural complexities, pianists who take on Iberia must convey idiomatic affinity and...
Reviewed by Jed Distler in issue: 07/2022
This recording, like so many others that have come my way this year, seems aimed to offer comfort. The title,...
Reviewed by Andrew Farach-Colton in issue: 07/2022
Rob Cowan’s monthly survey of historic reissues and archive recordings
Tim Ashley hears the first instalment in a reissue of Joan Sutherland’s complete recordings
Mark Pullinger enjoys a survey of the ever-youthful tenor’s EMI recordings
Rob Cowan listens to sets of Bruckner and Schubert symphonies, plus a pair of pianists
David Gutman revisits the British conductor’s recordings with two major orchestras
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