Replay (December 2024): Edith Peinemann, The French Piano School, Géza Anda & Kolisch String Quartet
Rob Cowan’s monthly survey of historic reissues and archive recordings
Occasionally a historically informed performance comes along that alters your perception of a work not just on modern instruments but...
Reviewed by Michelle Assay in issue: 08/2022
One of the doyens of British light music, Yorkshire-born Haydn Wood (1882-1959) completed his Mannin Veen (Dear Isle of Man:...
Reviewed by Andrew Achenbach in issue: 08/2022
Ever-enterprising in his exploration of all things Bach, Reinhard Goebel here alights on rarities from virtually every 18th-century member of...
Reviewed by Richard Wigmore in issue: 08/2022
The initial, indeed overwhelming impression that this three-SACD collection of recent works played by (and many written for) the Royal...
Reviewed by Guy Rickards in issue: 08/2022
Hans Winterberg (1901 91) was interned in Terezín by the Nazis. Unlike so many of his Jewish compatriots there, Winterberg...
Reviewed by Guy Rickards in issue: 08/2022
The veteran Adrian Boult at the helm of the orchestra he founded and painstakingly moulded into a top-class outfit –...
Reviewed by Andrew Achenbach in issue: 08/2022
Paavo Järvi’s Tchaikovsky cycle with the Zurich Tonhalle Orchestra has come to an end. The last two symphonies, Nos 1...
Reviewed by Marina Frolova-Walker in issue: 08/2022
Strauss’s ‘unfailing mastery’, Franz Welser-Möst tells us in a booklet essay, ‘quite often leaves me speechless and with a wide...
Reviewed by Tim Ashley in issue: 08/2022
This grab-bag programme of works by William Grant Still (1895-1978) spans most of the composer’s long and distinguished career. His...
Reviewed by Andrew Farach-Colton in issue: 08/2022
Sonically speaking, this streamed offering from San Diego is right up there with the best we have – yes, even...
Reviewed by Edward Seckerson in issue: 08/2022
Rob Cowan’s monthly survey of historic reissues and archive recordings
Tim Ashley hears the first instalment in a reissue of Joan Sutherland’s complete recordings
Mark Pullinger enjoys a survey of the ever-youthful tenor’s EMI recordings
Rob Cowan listens to sets of Bruckner and Schubert symphonies, plus a pair of pianists
David Gutman revisits the British conductor’s recordings with two major orchestras
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