Replay (December 2024): Edith Peinemann, The French Piano School, Géza Anda & Kolisch String Quartet
Rob Cowan’s monthly survey of historic reissues and archive recordings
My second Ferdinand this month (see page 52), and another figure best known for his association with others. The most...
Reviewed by David Threasher in issue: 08/2022
With some three dozen versions currently available, Quatuor pour la fin du temps is the most recorded of Messiaen’s larger...
Reviewed by Richard Whitehouse in issue: 08/2022
The Nightingale Quartet’s first volume (3/21) opened with Holmboe’s first published quartet, Op 46, and this second concludes with his...
Reviewed by Guy Rickards in issue: 08/2022
Ferdinand Hiller (1811 85) is one of those composers known more as a name in the biographies of others than...
Reviewed by David Threasher in issue: 08/2022
‘Pater Seraphicus’ was the nickname bestowed on César Franck by his devoted pupils, the so-called bande à Franck. Genteel sensibilities...
Reviewed by Richard Bratby in issue: 08/2022
In programming terms alone, your interest may be piqued by this distinctly off-piste combination of violin sonatas from Portuguese violinist...
Reviewed by Charlotte Gardner in issue: 08/2022
The thought of pairing Brahms and Finzi hadn’t occurred to me before but it makes perfect sense, particularly with the...
Reviewed by Andrew Farach-Colton in issue: 08/2022
Brahms was careful not to leave much if any evidence of his compositional struggles, thus there’s no score of the...
Reviewed by Andrew Farach-Colton in issue: 08/2022
Anyone still thinking of Schoenberg, Berg and Webern as soulless serialists will be surprised by the feverish romanticism that burns...
Reviewed by Arnold Whittall in issue: 08/2022
I have a friend who cannot abide ‘late’ Beethoven and I’d hazard a guess that the five-movement Quartet in A...
Reviewed by Rob Cowan in issue: 08/2022
Rob Cowan’s monthly survey of historic reissues and archive recordings
Tim Ashley hears the first instalment in a reissue of Joan Sutherland’s complete recordings
Mark Pullinger enjoys a survey of the ever-youthful tenor’s EMI recordings
Rob Cowan listens to sets of Bruckner and Schubert symphonies, plus a pair of pianists
David Gutman revisits the British conductor’s recordings with two major orchestras
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