Book review - Pierre Boulez: Organised Delirium (by Caroline Potter)
Neither a biography of his early years, nor a close analysis of the pieces that blew up post-war...
They certainly knew how to put on a show back in the seventeenth century. Delizie di Posilipo boscarecce e maritime...
Reviewed by Lindsay Kemp in issue: 4/1992
Completed in 1887, the Irish Symphony (the Third in Stanford’s set of seven) enjoyed considerable acclaim both at home and...
Reviewed by Andrew Achenbach in issue: 9/2008
I am afraid that Toscha Seidel (1900–62) was just a name to me before I heard this disc. Wayne Kiley's...
Reviewed in issue 6/1990
In the years after Sir Thomas Beecham died in 1961, when various powers-that-be were seeking to undermine his orchestra, the...
Reviewed in issue 7/2001
As in the first instalment of Marriner's new Mozart series for EMI coupling Nos. 38 and 39 (EL270308-1, 9/85; CD...
Reviewed by Edward Greenfield in issue: 12/1986
If this were a CD it could be recommended with reservations, the chief of which would be that the version...
Reviewed by John Steane in issue: 8/2008
Because I enjoyed both these performances so much—enough, in fact, to put down my Beckemesser slate altogether—I decided to do...
Reviewed by Joan Chissell in issue: 4/1985
I must pitch into Marriner, as I have many conductors before him, for not observing the exposition repeat in the...
Reviewed in issue 11/1984
I wish I could be as enthusiastic about the singing here as I am about the programme, which gives us...
Reviewed by Alan Blyth in issue: 2/1995
As anyone who knows his Mozart opera recordings, or indeed his invigorating Die Jahreszeiten (A/04), might guess, René Jacobs conducts...
Reviewed by Richard Wigmore in issue: 11/2009
Neither a biography of his early years, nor a close analysis of the pieces that blew up post-war...
Morrison’s Tchaikovsky is a rationalist who rather enjoys himself and aspires to a Mozartian poise...
This Senofsky double pack is revelatory, especially Brahms’s Third Sonata, a thrilling account with...
These are engaging, spontaneous-sounding performances that if widely heard could well spark off a...
Richard Bratby charts the relationship between the conductor and his Italian orchestra
‘Mengelberg’s performances – like Furtwängler’s – were for the most part products of careful...
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