Book review - Pierre Boulez: Organised Delirium (by Caroline Potter)
Neither a biography of his early years, nor a close analysis of the pieces that blew up post-war...
Ask any Nielsen-lover about the organ works and you will probably encounter unqualified enthusiasm. They are all late pieces, with...
Reviewed in issue 9/1990
Suggesting that the theatrical wizard Richard Wagner anticipated contemporary cinematic techniques is like claiming that his music prefigured modernism and...
Reviewed by Arnold Whittall in issue: 4/2010
Grieg turned three times to the string quartet, but his first attempt of 1861 has been lost. The G minor...
Reviewed by Christopher Headington in issue: 10/1994
To the many who reflexively associate Yamashita with musically ill-advised, smash-and-grab raids on works such as Pictures at an Exhibition,...
Reviewed by John Duarte in issue: 1/1992
In the mythology of English music, Stanford is the Brahmsian Old Testament that Elgar was sent to sweep away with...
Reviewed by Michael Oliver in issue: 1/1988
Arguably the most anticipated film ever made, George Lucas’s The Phantom Menace (1999) is the first instalment of a Star...
Reviewed by kmulhall in issue: 8/1999
Fancy a rustic French frolic? During the third decade of the 18th century, the bagpipe and hurdy-gurdy of the peasant...
Reviewed by Julie Anne Sadie in issue: 9/2000
Both of these recordings from the early 1990s have much going for them. It might perhaps seem unfortunate for the...
Reviewed by rnichols in issue: 2/2003
The project of recording all Spohr's string quartets has now reached Volume 6, and two of his finest works in...
Reviewed by John Warrack in issue: 1/1993
This set, rather varied both in content and in standard, can be sorted out into four stages: performances with the...
Reviewed by Lionel Salter in issue: 2/1992
Neither a biography of his early years, nor a close analysis of the pieces that blew up post-war...
Morrison’s Tchaikovsky is a rationalist who rather enjoys himself and aspires to a Mozartian poise...
This Senofsky double pack is revelatory, especially Brahms’s Third Sonata, a thrilling account with...
These are engaging, spontaneous-sounding performances that if widely heard could well spark off a...
Richard Bratby charts the relationship between the conductor and his Italian orchestra
‘Mengelberg’s performances – like Furtwängler’s – were for the most part products of careful...
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