Book review - Pierre Boulez: Organised Delirium (by Caroline Potter)
Neither a biography of his early years, nor a close analysis of the pieces that blew up post-war...
As Eduardo López Banzo, director of Al Ayre Español, points out in the booklet-notes to their most recent recording, the...
Reviewed by Tess Knighton in issue: 2/2005
Two new releases of Sibelius's Fourth Symphony this month (see also review above), which makes four new full-price recordings this...
Reviewed by Robert Layton in issue: 8/1991
Those who love Bach will want to investigate the St Luke Passion, not because it necessarily confirms or disabuses us...
Reviewed by Jonathan Freeman-Attwood in issue: 9/1997
Pauline Viardot was the daughter of Manuel Garcia, Rossini's first Count Almaviva, and the younger sister of Maria Malibran whom...
Reviewed by Richard Osborne in issue: 12/1990
Italy's principal resident bass in the 1930s and 1940s was eclipsed in the larger world view by their leading export...
Reviewed in issue 4/1995
One of the most persistent false images of musical history has been that of Corelli as a gentle, mild player...
Reviewed by Lionel Salter in issue: 9/1987
It may seem odd having Saint-Saëns coupled with a sequence of pieces by Charles Dancla, but the mixture works well...
Reviewed by Edward Greenfield in issue: 8/2009
No sooner had I finished Peter Donohoe’s latest concerto disc above than this second volume in Naxos’s Alwyn series arrived....
Reviewed by Andrew Achenbach in issue: 9/2005
The main point of listening to the very early Capriccio sinfonico is for the shock of hearing in its main...
Reviewed by Michael Oliver in issue: 9/1991
Klangforum Wien (and Kairos) pursue their championship of new music with this programme of four pieces for large ensemble by...
Reviewed by John Duarte in issue: 8/2003
Neither a biography of his early years, nor a close analysis of the pieces that blew up post-war...
Morrison’s Tchaikovsky is a rationalist who rather enjoys himself and aspires to a Mozartian poise...
This Senofsky double pack is revelatory, especially Brahms’s Third Sonata, a thrilling account with...
These are engaging, spontaneous-sounding performances that if widely heard could well spark off a...
Richard Bratby charts the relationship between the conductor and his Italian orchestra
‘Mengelberg’s performances – like Furtwängler’s – were for the most part products of careful...
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