Book review - Pierre Boulez: Organised Delirium (by Caroline Potter)
Neither a biography of his early years, nor a close analysis of the pieces that blew up post-war...
This new release adds to the small but interesting and representative clutch of CDs of works by the ''Father of...
Reviewed by Nicholas Anderson in issue: 1/1993
First impressions suggest a high-energy, tightly accented approach, “period”-schooled while retaining an element of modern-instrument intensity, mostly in the slow...
Reviewed by Rob Cowan in issue: 13/2006
An exhilaratingly conducted and played Prelude to Act 1 of this 1999 recording leaves one anticipating a performance on its...
Reviewed by Alan Blyth in issue: 11/2000
Although Schoeck is best known for his Lieder (of which there are over 300) and such powerful stage works as...
Reviewed by Robert Layton in issue: 4/1998
It is a nice idea for the Orchestra of the Age of Enlightenment to record a disc of such varied...
Reviewed by Lindsay Kemp in issue: 4/2001
Britten is “abroad” here in the sense that he is occupied with foreign texts. He is also away in time:...
Reviewed by John Steane in issue: 13/2008
World Cup? Tell you what, lads, let’s put out that old Karajan album again – the one with all them...
Reviewed by Jeremy Nicholas in issue: 7/2006
The first impression one receives from this CD is of immense attack, and this is no bad thing with music...
Reviewed by Christopher Headington in issue: 4/1990
Having surveyed William Alwyn’s orchestral output with such conspicuous success, Naxos now turns its attention to the chamber and vocal...
Reviewed by Andrew Achenbach in issue: 10/2007
The second volume of Murray McLachlan's valuable survey of Kabalevsky's piano music covers repertoire which is less well known but...
Reviewed in issue 5/1993
Neither a biography of his early years, nor a close analysis of the pieces that blew up post-war...
Morrison’s Tchaikovsky is a rationalist who rather enjoys himself and aspires to a Mozartian poise...
This Senofsky double pack is revelatory, especially Brahms’s Third Sonata, a thrilling account with...
These are engaging, spontaneous-sounding performances that if widely heard could well spark off a...
Richard Bratby charts the relationship between the conductor and his Italian orchestra
‘Mengelberg’s performances – like Furtwängler’s – were for the most part products of careful...
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