Book review - Pierre Boulez: Organised Delirium (by Caroline Potter)
Neither a biography of his early years, nor a close analysis of the pieces that blew up post-war...
Here are the 'coals-to-Newcastle' pieces Ashkenazy took with him for his much-publicized return to Moscow. A souvenir of a memorable...
Reviewed in issue 9/1990
Fired up by its sensational Tosca, available on DVD from Decca, the Netherlands Opera clearly wanted a repeat of its...
Reviewed by Richard Fairman in issue: 12/2010
Tough‚ intransigent and sincere‚ Hugh Wood has never been a fashionable composer. Things might have been different had Jacqueline du...
Reviewed in issue 12/2001
These full-blooded Herculean performances of Vivaldi's Four Seasons are not quite my 'scene', as they say. Goodness knows how many...
Reviewed by Nicholas Anderson in issue: 7/1983
Benedetto Marcello's Estro poetico-armonico was published in Venice in the mid-1720s and contains cantata-like settings of the first 50 Psalms...
Reviewed by Nicholas Anderson in issue: 2/2000
This is announced as the first instalment in a “projected four-volume series chronicling the entire recorded output of this most...
Reviewed in issue 9/1998
The Banse/Bar partnership is rewarding, nowhere more so than when the singers come together for the three charmingly easeful duets...
Reviewed by Alan Blyth in issue: 12/1998
In double quick time Decca has here, in aid of the Solti Foundation, produced the disc of the Gala concert...
Reviewed by Edward Greenfield in issue: 2/1999
Volume 4 of Collins’s English Song series is the least predictable so far. One by one and little by little...
Reviewed in issue 2/1998
L’Amoroso explores early Italian viol consort repertory, artfully filled out with keyboard transcriptions. The ensemble is polished and assured: six...
Reviewed in issue 6/1999
Neither a biography of his early years, nor a close analysis of the pieces that blew up post-war...
Morrison’s Tchaikovsky is a rationalist who rather enjoys himself and aspires to a Mozartian poise...
This Senofsky double pack is revelatory, especially Brahms’s Third Sonata, a thrilling account with...
These are engaging, spontaneous-sounding performances that if widely heard could well spark off a...
Richard Bratby charts the relationship between the conductor and his Italian orchestra
‘Mengelberg’s performances – like Furtwängler’s – were for the most part products of careful...
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