Book review - Pierre Boulez: Organised Delirium (by Caroline Potter)
Neither a biography of his early years, nor a close analysis of the pieces that blew up post-war...
The music of Gian-Carlo Menotti – lyrical, colourful and communicative – has been sadly neglected by record companies. His may...
Reviewed by Edward Greenfield in issue: 4/2001
Norwegian pianist Morten Gunnar Larsen’s resume as a specialist in ragtime and early jazz styles mirrors his considerable keyboard artistry...
Reviewed by Jed Distler in issue: 6/1999
Though The Gramophone Classical Catalogue lists no fewer than eight different versions of the precociously gifted young Reubke’s C minor...
Reviewed by Joan Chissell in issue: 10/1996
Vivaldi wrote a number of concertos in which oboes had both 'solo' and 'ripieno' parts but, as well as these,...
Reviewed by Nicholas Anderson in issue: 5/1993
The LP of this attractive recital of eighteenth-century oboe sonatas has been available sometime. Now comes the CD whose recorded...
Reviewed by Nicholas Anderson in issue: 9/1986
Felicien David remains best known for Le desert, written in the wake of the disastrous Eastern expedition of the Saint-Simonians...
Reviewed by John Warrack in issue: 5/1994
It is now some 13 years since the Dutch cellist Anner Bylsma made his first complete recording of Bach's six...
Reviewed by Nicholas Anderson in issue: 1/1993
The RCA recording of the Tchaikovsky First Concerto is something of an old friend, having first appeared around the time...
Reviewed in issue 6/1994
Galway’s silvery timbre is well suited to Faure. He does not miss the sonata’s simplicity of line and he makes...
Reviewed by Ivan March in issue: 8/1996
In the lavish promotional blurb announcing her ‘Mozart Project’ (destined to include all the major works involving solo violin), Anne-Sophie...
Reviewed by Richard Wigmore in issue: 10/2005
Neither a biography of his early years, nor a close analysis of the pieces that blew up post-war...
Morrison’s Tchaikovsky is a rationalist who rather enjoys himself and aspires to a Mozartian poise...
This Senofsky double pack is revelatory, especially Brahms’s Third Sonata, a thrilling account with...
These are engaging, spontaneous-sounding performances that if widely heard could well spark off a...
Richard Bratby charts the relationship between the conductor and his Italian orchestra
‘Mengelberg’s performances – like Furtwängler’s – were for the most part products of careful...
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