Book review - Pierre Boulez: Organised Delirium (by Caroline Potter)
Neither a biography of his early years, nor a close analysis of the pieces that blew up post-war...
A neat CD package which offers up what looks like perfect repertoire with which to remember the polished technical command...
Reviewed by Lindsay Kemp in issue: 10/2007
Brave as it undoubtedly was of Shirai to begin her Strauss selection with the operatic effusions of Zueignung—and in the...
Reviewed in issue 2/1995
The spirited yet attentive playing here maintains the high level set by John Eliot Gardiner in his previous Mozart symphony...
Reviewed by Stanley Sadie in issue: 2/1991
Andrew Davis became a Principal Guest Conductor of the Royal Stockholm Philharmonic in the autumn of 1995, and has lost...
Reviewed by Arnold Whittall in issue: 2/1997
Exil is dedicated to Manfred Eicher, the founder of the ECM label, to whom Kancheli paid such glowing tribute in...
Reviewed in issue 12/1995
Kontrapunkt’s latest Norholm issue centres on his output for clarinet, cello and piano, ranging from the earnest early trio (1957)...
Reviewed in issue 9/1998
Do we need another Eleventh? Whether you take its composition as an act of conformism, a coded indictment of Soviet...
Reviewed by David Gutman in issue: 9/2005
In The Classical Catalogue there are three dozen listings of the Second Symphony and the present issue is the sixth...
Reviewed by Robert Layton in issue: 3/1994
Were Giovanni Girolamo Kapsperger, a German of noble birth who lived and worked in Venice, alive today he would be...
Reviewed by John Duarte in issue: 6/1991
This latest recording of Respighi's Sinfonia drammatica (the third so far) is by a long way the best, and the...
Reviewed by Michael Oliver in issue: 1/1994
Neither a biography of his early years, nor a close analysis of the pieces that blew up post-war...
Morrison’s Tchaikovsky is a rationalist who rather enjoys himself and aspires to a Mozartian poise...
This Senofsky double pack is revelatory, especially Brahms’s Third Sonata, a thrilling account with...
These are engaging, spontaneous-sounding performances that if widely heard could well spark off a...
Richard Bratby charts the relationship between the conductor and his Italian orchestra
‘Mengelberg’s performances – like Furtwängler’s – were for the most part products of careful...
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