Book review - Pierre Boulez: Organised Delirium (by Caroline Potter)
Neither a biography of his early years, nor a close analysis of the pieces that blew up post-war...
It’s no surprise that Julia Fischer, with her looks of classic beauty, has been treated to a video début, but...
Reviewed by Edward Greenfield in issue: 12/2002
I've now heard two records in this series and enjoyed neither of them as much as I'd hoped. The production...
Reviewed by Stephen Plaistow in issue: 10/1986
The Nobel Prize Concert is now a traditional element of the modern Award celebrations, given on December 8 each year,...
Reviewed by Guy Rickards in issue: 9/2011
The four hundredth anniversary of the birth of the composer John Jenkins is celebrated this year by Jordi Savall and...
Reviewed in issue 2/1992
Devised as a ‘video oratorio’ and first presented in Groningen in September 2001 (on which occasion this live recording was...
Reviewed by Marc Rochester in issue: 9/2003
Anyone who knows that there is much more to La boheme than voices will want to hear Bernstein's account of...
Reviewed by Michael Oliver in issue: 8/1988
This CD brings back happy memories of della Casa’s rare recitals at London’s Royal Festival Hall in the 1950s. Probably...
Reviewed by Alan Blyth in issue: 2/1998
The ways of record companies are sometimes puzzling. This set was recorded three years ago just at the time Decca...
Reviewed by Alan Blyth in issue: 6/1997
Giuseppe Sinopoli projects Liszt’s “Mephistopheles” with such unrelenting urgency that he could as well be fighting the devil in person....
Reviewed in issue 7/1996
Geoffrey Horn did not like the sound of the digitally re-mastered Ashkenazy CD listed above, nor was he inclined to...
Reviewed by Richard Osborne in issue: 9/1984
Neither a biography of his early years, nor a close analysis of the pieces that blew up post-war...
Morrison’s Tchaikovsky is a rationalist who rather enjoys himself and aspires to a Mozartian poise...
This Senofsky double pack is revelatory, especially Brahms’s Third Sonata, a thrilling account with...
These are engaging, spontaneous-sounding performances that if widely heard could well spark off a...
Richard Bratby charts the relationship between the conductor and his Italian orchestra
‘Mengelberg’s performances – like Furtwängler’s – were for the most part products of careful...
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