Book review - Pierre Boulez: Organised Delirium (by Caroline Potter)
Neither a biography of his early years, nor a close analysis of the pieces that blew up post-war...
Sir Roger Norrington thinks this might be the first time since Bruno Walter’s famous 1938 Vienna Philharmonic recording that a...
Reviewed by Edward Seckerson in issue: 5/2010
The CD of this concert was well received by Edward Greenfield in April 2001. The DVD‚ though‚ transports you much...
Reviewed in issue 2/2002
Tortelier, the Frenchman in New York, and Shelley, the Englishman abroad, surprised me with their first Gershwin package (3/93). I...
Reviewed by Edward Seckerson in issue: 4/1995
Only last month I reviewed a recording of the Cello Concerto in B flat arranged by Friedrich Grutzmacher (CBS IM39964,...
Reviewed by Stanley Sadie in issue: 3/1988
Here is the eagerly awaited second volume of Kissin's 1993 Carnegie Hall Chopin recital (Vol. 1 was reviewed in May)....
Reviewed by Bryce Morrison in issue: 11/1994
As Koopman's Cantata cycle reaches its mid-point, both director and composer are in full swing. This volume continues the first...
Reviewed by Jonathan Freeman-Attwood in issue: 6/2000
‘The opera Die Harmonie der Welt is without any doubt one of Hindemith’s major works,’ states Giselher Schubert at the...
Reviewed by Guy Rickards in issue: 8/2003
I have always had a particular affection for the larger of Vivaldi's two settings of Beatus vir. My first encounter...
Reviewed by Nicholas Anderson in issue: 5/1986
Seventeenth-century music, and particularly the work of Monteverdi, has become something of a preoccupation of Les Arts Florissants and their...
Reviewed by Iain Fenlon in issue: 7/1987
While New College Choir have become a star attraction of the subliminal choral experience (most notably through Agnus Dei settings...
Reviewed by Jonathan Freeman-Attwood in issue: 12/2000
Neither a biography of his early years, nor a close analysis of the pieces that blew up post-war...
Morrison’s Tchaikovsky is a rationalist who rather enjoys himself and aspires to a Mozartian poise...
This Senofsky double pack is revelatory, especially Brahms’s Third Sonata, a thrilling account with...
These are engaging, spontaneous-sounding performances that if widely heard could well spark off a...
Richard Bratby charts the relationship between the conductor and his Italian orchestra
‘Mengelberg’s performances – like Furtwängler’s – were for the most part products of careful...
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