Book review - Pierre Boulez: Organised Delirium (by Caroline Potter)
Neither a biography of his early years, nor a close analysis of the pieces that blew up post-war...
Like many British dance musicians of his generation (he was born in 1900), Harry Roy heard the Original Dixieland Jazz...
Reviewed in issue 3/1998
A German Gerontius: and, after all, how apt. As we are reminded almost first thing in the leaflet, it was...
Reviewed by John Steane in issue: 11/2008
Elizabethan songs, enterprisingly selected, thoughtfully programmed and skilfully varied in presentation, should be certain (one would think) to provide an...
Reviewed in issue 3/1999
Weill’s Cello Sonata (1920) is an early work, so one will look largely in vain for the easy melodism of...
Reviewed by Guy Rickards in issue: 6/2003
‘All that glitters is not gold’ – however, in the case of Sergio Fiorentino’s reading of Scriabin’s Fourth Piano Sonata...
Reviewed by Michael Stewart in issue: 7/1997
Roberto Gerhard, a brilliant intellect and vivid personality (with whom I was proud to be associated on more than one...
Reviewed by Lionel Salter in issue: 9/1996
Here is lesser-known Granados, the salon manners of the Bocetos and Cuentos de la juventud a far cry from Goyescas,...
Reviewed by Bryce Morrison in issue: 12/2003
Here, at the very least, is new repertoire and a possible opening to more. Lewis Foreman’s useful introductory essay tells...
Reviewed by John Steane in issue: 4/2003
Three valuable reissues, two of which are indispensable acquisitions for the serious collector. Beecham's championship of Sibelius began in earnest...
Reviewed by Robert Layton in issue: 7/1990
In his booklet-note, Jonathan Freeman-Atwood observes: ‘That none of the pieces here was originally conceived for the trumpet would not...
Reviewed by David Vickers in issue: 5/2006
Neither a biography of his early years, nor a close analysis of the pieces that blew up post-war...
Morrison’s Tchaikovsky is a rationalist who rather enjoys himself and aspires to a Mozartian poise...
This Senofsky double pack is revelatory, especially Brahms’s Third Sonata, a thrilling account with...
These are engaging, spontaneous-sounding performances that if widely heard could well spark off a...
Richard Bratby charts the relationship between the conductor and his Italian orchestra
‘Mengelberg’s performances – like Furtwängler’s – were for the most part products of careful...
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