Book review - Pierre Boulez: Organised Delirium (by Caroline Potter)
Neither a biography of his early years, nor a close analysis of the pieces that blew up post-war...
James Conlon conducts a version of Ravel's orchestration of Mussorgsky's score with a difference. He has joined the growing band...
Reviewed by Ivan March in issue: 8/1991
The record industry is, no doubt, gearing itself up for Schubert year (1997 is the bicentenary of Schubert’s birth). But...
Reviewed by John Steane in issue: 12/1996
We are used to hearing recordings of the Brahms Double Concerto with the orchestra fairly well back in the picture,...
Reviewed in issue 6/1988
Where aural devilry is concerned, Paganini or Berlioz come to mind ahead of Rossini. No longer. This sonically challenging collection...
Reviewed by Richard Osborne in issue: 10/2004
Technically speaking, there is little to complain about in this live New York recording. Yevgeny Yevtushenko was on hand to...
Reviewed in issue 10/1994
It's homegrown, it doesn't cost much, and it doesn't last long. But reservations about the performances on this disc are...
Reviewed by hfinch in issue: 2/1988
Here is more extraordinary repertoire from the incredibly prolific Kevin Bowyer. While these are significant works, with Williamson’s Vision of...
Reviewed by Marc Rochester in issue: 7/1997
Janáček’s characteristically unconventional Violin Sonata (1914-15, rev 1921) is the connecting thread linking these two programmes without being the principal...
Reviewed by Guy Rickards in issue: 8/2009
Anne Azema always seems to bring a breath of fresh air to whatever she does, whether reading or singing. After...
Reviewed by mberry in issue: 11/1994
The promises of the Animal Trainer are more than usually hollow at the start of Christof Loy’s Lulu. He wants...
Reviewed by Peter Quantrill in issue: 7/2011
Neither a biography of his early years, nor a close analysis of the pieces that blew up post-war...
Morrison’s Tchaikovsky is a rationalist who rather enjoys himself and aspires to a Mozartian poise...
This Senofsky double pack is revelatory, especially Brahms’s Third Sonata, a thrilling account with...
These are engaging, spontaneous-sounding performances that if widely heard could well spark off a...
Richard Bratby charts the relationship between the conductor and his Italian orchestra
‘Mengelberg’s performances – like Furtwängler’s – were for the most part products of careful...
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