Book review - Pierre Boulez: Organised Delirium (by Caroline Potter)
Neither a biography of his early years, nor a close analysis of the pieces that blew up post-war...
This is a lively performance by a group from northern Italy, who present a selection of compositions from Alfonso el...
Reviewed by mberry in issue: 8/1999
When you hear the ominous first chorus of Bach’s St John Passion sung and played like this, liturgical ritual and...
Reviewed by Jonathan Freeman-Attwood in issue: 6/2003
Though he never knew it, Torquato Tasso (1544_95) was one of the most important figures in the history of opera....
Reviewed by Richard Lawrence in issue: 12/2007
The special interest here is the F minor Sonata, which after the publisher's removal of its two Scherzos, first reached...
Reviewed by Joan Chissell in issue: 3/1993
“Ah, golden youth!” exclaims Marcel in the old translation at a rapturous moment in Act 2. Then, if memory serves,...
Reviewed by John Steane in issue: 6/2008
I praised these performances in their LP form for Tennstedt's spaciousness of conception and the concentration of the playing, which...
Reviewed by Ivan March in issue: 2/1985
Wherever you stand on the 'great Pollini debate', his latest recording surely offers more to his supporters than his detractors....
Reviewed by Tim Parry in issue: 1/2000
''Oh! tell me, Harper, wherefore flow Thy wayward notes of wail and woe?'' Wherefore indeed? Beethoven ephemera, especially when it...
Reviewed by hfinch in issue: 12/1991
We rarely hear Barenboim play Chopin so here is something fresh. The two concertos hold their place as great works...
Reviewed by Stephen Plaistow in issue: 8/2011
Arvo Pärt evidently never considers a work finished. For those of us who consider his music as perfect as is...
Reviewed by bwitherden in issue: 6/2004
Neither a biography of his early years, nor a close analysis of the pieces that blew up post-war...
Morrison’s Tchaikovsky is a rationalist who rather enjoys himself and aspires to a Mozartian poise...
This Senofsky double pack is revelatory, especially Brahms’s Third Sonata, a thrilling account with...
These are engaging, spontaneous-sounding performances that if widely heard could well spark off a...
Richard Bratby charts the relationship between the conductor and his Italian orchestra
‘Mengelberg’s performances – like Furtwängler’s – were for the most part products of careful...
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