Book review - Pierre Boulez: Organised Delirium (by Caroline Potter)
Neither a biography of his early years, nor a close analysis of the pieces that blew up post-war...
That Richard Strauss wrote a ballet for Diaghilev is something that tends to be forgotten. The neglect of Josephs-Legende was...
Reviewed by Edward Greenfield in issue: 8/2000
Enrapt by an infectious and consistent conceit of gravitas, this unusual quartet of Bach concerto transcriptions presents one of the...
Reviewed by Jonathan Freeman-Attwood in issue: 3/2006
Penderecki’s Sonata for cello and orchestra (1964) embodies his transition from the turbulent texturalism of his earliest works to the...
Reviewed by Arnold Whittall in issue: 12/2008
Wolf himself stated that the Italian Songbook is ''the most original and artistically consummate of all my works'' and he...
Reviewed by Alan Blyth in issue: 12/1990
RCA seem on a roll with their operatic recitals. Here is another outright recommendation from that stable with the greatly...
Reviewed by Alan Blyth in issue: 10/1997
Some months back Astree reissued 20 CDs as part of a ‘Jordi Savall Edition’ celebrating the amazingly diverse recorded repertoire...
Reviewed by Ivan March in issue: 12/2000
For so popular an opera Butterfly has been meanly treated on CD so far, but in every way except one...
Reviewed by Edward Greenfield in issue: 6/1987
This Zurich staging of 2000 (why is this theatre so much favoured on DVD?) is a facsimile of Jonathan Miller’s...
Reviewed in issue 13/2002
It hardly seems credible that with all the commentary that has been written about Beethoven and Toscanini's view of him,...
Reviewed by Rob Cowan in issue: 12/1999
It is a pity that Richard Goode begins the C minor Sonata with such an excessively clipped statement of the...
Reviewed in issue 4/1992
Neither a biography of his early years, nor a close analysis of the pieces that blew up post-war...
Morrison’s Tchaikovsky is a rationalist who rather enjoys himself and aspires to a Mozartian poise...
This Senofsky double pack is revelatory, especially Brahms’s Third Sonata, a thrilling account with...
These are engaging, spontaneous-sounding performances that if widely heard could well spark off a...
Richard Bratby charts the relationship between the conductor and his Italian orchestra
‘Mengelberg’s performances – like Furtwängler’s – were for the most part products of careful...
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