Book review - Pierre Boulez: Organised Delirium (by Caroline Potter)
Neither a biography of his early years, nor a close analysis of the pieces that blew up post-war...
Mysteries abound. There are 32 cello sonatas in the Gérard catalogue of 1969‚ and though they have been authenticated‚ not...
Reviewed in issue 10/2001
'Son of Bruckner' is Franz Schmidt's reputation, and if you can hardly imagine Bruckner writing an opera, any apprehension you...
Reviewed by Michael Oliver in issue: 5/1989
Karajan's latest recording of Don Quixote disappoints me very much, both as an interpretation and as a recording. His earlier...
Reviewed in issue 8/1987
The recordings here go back over three decades but they have come up surprisingly well in this transfer and though...
Reviewed by Christopher Headington in issue: 4/1988
Vanguard's Alfred Deller Edition is a welcome sight. This particular CD is one of a select number of notable Monteverdi...
Reviewed by Jonathan Freeman-Attwood in issue: 3/1995
The standard guitar is a baritone instrument, with a harmonic-rich tone and an effective range of only three and a...
Reviewed by John Duarte in issue: 1/1994
These are pleasant modem performances from a secure, accomplished and musicianly player. The Haydn C major is done by Lluis...
Reviewed by Stanley Sadie in issue: 10/1989
At a time when the inevitable mutterings have emerged against Abbado and his effect on the Berlin Philharmonic, it is...
Reviewed by Edward Greenfield in issue: 3/1994
There is no shortage of fine couplings of the two Ravel piano concertos and, for starters, those by lean-Philippe Collard...
Reviewed by Christopher Headington in issue: 8/1989
Hindemith’s Ludus tonalis (1942) is well enough known, especially given the recent plethora of recordings (5/96, 11/96, 3/97), but it...
Reviewed in issue 5/1997
Neither a biography of his early years, nor a close analysis of the pieces that blew up post-war...
Morrison’s Tchaikovsky is a rationalist who rather enjoys himself and aspires to a Mozartian poise...
This Senofsky double pack is revelatory, especially Brahms’s Third Sonata, a thrilling account with...
These are engaging, spontaneous-sounding performances that if widely heard could well spark off a...
Richard Bratby charts the relationship between the conductor and his Italian orchestra
‘Mengelberg’s performances – like Furtwängler’s – were for the most part products of careful...
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