Book review - Pierre Boulez: Organised Delirium (by Caroline Potter)
Neither a biography of his early years, nor a close analysis of the pieces that blew up post-war...
“Boy meets Girl. Boy loves Girl. Girl (who happens to be both a composer and a particle physicist) is torn...
Reviewed by Fabrice Fitch in issue: 9/2010
“I can think of no soprano whose records have given me more enduring pleasure over many years.” Our founding Editor...
Reviewed in issue 13/1997
I am not sure why Erato has chosen to emblazon on the front of this latest recording of the Petite...
Reviewed by Richard Osborne in issue: 6/1989
Handel's fresh and vigorous psalm setting Dixit Dominus (''The Lord said unto my Lord'') is one of the Latin pieces...
Reviewed in issue 11/1986
This new Naxos digital set of The Nutcracker is brightly and immediately recorded and the playing has plenty of zest...
Reviewed by Ivan March in issue: 9/1991
From Cologne to Munich, Berlin and now Stuttgart, the Shostakovich centenary bug really seemed to bite last year. The results...
Reviewed by David Gutman in issue: 6/2007
Volume six of Hyperion’s intriguing Bach piano transcription series consists of 25 arrangements by Walter Rummel (1887-1953), whose devotion to...
Reviewed by Bryce Morrison in issue: 6/2006
My review of I Musici's recording of the first six concertos of Vivaldi's Op. 8 ((CD) 426 847-2PH, 9/90) treated...
Reviewed by John Duarte in issue: 2/1991
The mean old saying that ‘those who can, do, and those who can’t, teach’ would have withered in the presence...
Reviewed by John Steane in issue: 7/2003
Devotees will doubtless already be familiar with Imogen Holst’s attractive, purely orchestral reworkings of material from her father’s two choral...
Reviewed by Andrew Achenbach in issue: 4/1996
Neither a biography of his early years, nor a close analysis of the pieces that blew up post-war...
Morrison’s Tchaikovsky is a rationalist who rather enjoys himself and aspires to a Mozartian poise...
This Senofsky double pack is revelatory, especially Brahms’s Third Sonata, a thrilling account with...
These are engaging, spontaneous-sounding performances that if widely heard could well spark off a...
Richard Bratby charts the relationship between the conductor and his Italian orchestra
‘Mengelberg’s performances – like Furtwängler’s – were for the most part products of careful...
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