Book review - Pierre Boulez: Organised Delirium (by Caroline Potter)
Neither a biography of his early years, nor a close analysis of the pieces that blew up post-war...
When I reviewed the original LP release of these performances of Vivaldi's two settings of the Gloria I remarked on...
Reviewed by Nicholas Anderson in issue: 8/1983
Here is Richter ‘from the archives’ in 1950, aged 35, offering invaluable evidence of his early astounding range and mastery,...
Reviewed by Bryce Morrison in issue: 9/2003
I could write at length on the historic nature of Stravinsky’s return to the land of his birth but the...
Reviewed in issue 2/1997
Le jongleur de Notre Dame is a Maxwell Davies equivalent of one of Britten’s church parables, with the difference that...
Reviewed by Michael Oliver in issue: 2/1998
After his recent recordings of Debussy and Stravinsky in Cleveland (DG, 8/92), Pierre Boulez has moved on to Chicago for...
Reviewed by Arnold Whittall in issue: 4/1993
If there are some in addition to myself to whom the choir of Edinburgh’s Episcopal Cathedral are introducing themselves in...
Reviewed in issue 10/1997
Alina Ibragimova’s previous recordings for Hyperion have been of 20th-century music – impressive accounts of Szymanowski, Roslavets and Hartmann. Her...
Reviewed by DuncanDruce in issue: 11/2009
The haunting cover image of a gypsy child peering from the back of a rickety horse-drawn cart is significant. The...
Reviewed by Rob Cowan in issue: 12/2005
There is something of the library recording about this, each movement set down in its place very professionally and undemonstrably,...
Reviewed by Jonathan Freeman-Attwood in issue: 5/2005
In an episode from Cuban writer Alejo Carpentier’s novel Concierto Barroco, Handel, Vivaldi and a Cuban slave jam during carnevale...
Reviewed by William Yeoman in issue: 2/2006
Neither a biography of his early years, nor a close analysis of the pieces that blew up post-war...
Morrison’s Tchaikovsky is a rationalist who rather enjoys himself and aspires to a Mozartian poise...
This Senofsky double pack is revelatory, especially Brahms’s Third Sonata, a thrilling account with...
These are engaging, spontaneous-sounding performances that if widely heard could well spark off a...
Richard Bratby charts the relationship between the conductor and his Italian orchestra
‘Mengelberg’s performances – like Furtwängler’s – were for the most part products of careful...
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