Book review - Pierre Boulez: Organised Delirium (by Caroline Potter)
Neither a biography of his early years, nor a close analysis of the pieces that blew up post-war...
This new release from Ensemble Modern is the latest of a number of single composer ‘portraits’ recorded in co-production with...
Reviewed in issue 6/1999
These five concertante works for bassoon make up a delightful and generous collection. Since 1974 Laurence Perkins has been principal...
Reviewed in issue 5/2002
The distinctive quality of English trumpet writing of the late seventeenth century is most gloriously evident in Purcell’s music for...
Reviewed by Jonathan Freeman-Attwood in issue: 7/1996
This is the second CD in Wergo’s Zimmermann edition to reach me. Like the first (2/03) it concentrates on works...
Reviewed by Arnold Whittall in issue: 8/2005
Few, I suspect, will have heard of the latest composer to feature in Naxos’s 18th-century symphony series; Johannes Sperger was...
Reviewed in issue 7/2001
In July 1958 Desmond Shawe-Taylor took time off from his normal duties as writer of the ''Quarterly Retrospect'' and reported...
Reviewed in issue 11/1987
The story goes that Busoni’s early arrangements of Bach – venturing far beyond mere transcription – became so popular that...
Reviewed by Arved Ashby in issue: 7/2005
Nobody has ever had a good word to say for Parry's chamber music; even he left three of his six...
Reviewed by Michael Oliver in issue: 11/1985
On paper the Te Kanawa issue has everything. Not that the title ''Kiri Sings Gershwin'' and the stylish gatefold sleeve...
Reviewed by rhughes in issue: 10/1987
Tempering passion and exuberance with above-average control, Schnittke’s Concerto for piano and strings of 1979 has worn better than most...
Reviewed in issue 2/1998
Neither a biography of his early years, nor a close analysis of the pieces that blew up post-war...
Morrison’s Tchaikovsky is a rationalist who rather enjoys himself and aspires to a Mozartian poise...
This Senofsky double pack is revelatory, especially Brahms’s Third Sonata, a thrilling account with...
These are engaging, spontaneous-sounding performances that if widely heard could well spark off a...
Richard Bratby charts the relationship between the conductor and his Italian orchestra
‘Mengelberg’s performances – like Furtwängler’s – were for the most part products of careful...
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