Book review - Pierre Boulez: Organised Delirium (by Caroline Potter)
Neither a biography of his early years, nor a close analysis of the pieces that blew up post-war...
Roy Budd’s jazz-based brand of easy listening livened up numerous under-achieving British films of the 1970s. Not that Get Carter...
Reviewed by kYlzrO1BaC7A in issue: 5/1999
Telemann’s 12 so-called ‘Paris Quartets’ are among the most beguiling chamber works of the late-Baroque period, so a new recording...
Reviewed by Lindsay Kemp in issue: 6/2003
The major classic in the British organ repertory here is the Elgar Sonata, his only instrumental work on this scale...
Reviewed by Peter Dickinson in issue: 8/1994
I have to admit to being slightly nonplussed by Marco Polo's philosophy. Their decision to steer clear of the mainstream...
Reviewed by Michael Stewart in issue: 4/1992
Volume 1 (6/99) was promising, Vol. 2 (10/99) revealed a major song-writer, but Vol. 3 is quite extraordinary. Pfitzner was...
Reviewed by Michael Oliver in issue: 11/1999
These are major works from a composer whose ability to harness expressive intensity with sonic originality is far too little...
Reviewed by kYlzrO1BaC7A in issue: 7/1999
Since those famous Columbia light blue label 78rpm discs (with the LPO) of the Suite No. 1, Beecham's Peer Gynt...
Reviewed by Ivan March in issue: 1/1989
Herein are gathered the six recorded solo sonatas from L'Ecole d'Orphee's two-LP set of Handel's woodwind works in that genre,...
Reviewed by John Duarte in issue: 10/1986
Today’s average music lover might be hard-pushed to name more than perhaps half a dozen of Gounod’s works, although they...
Reviewed by Malcolm Riley in issue: 8/2011
This second instalment of the second Bayreuth Festival Ring cycle from 1955 is unlikely to change the views of those...
Reviewed by Arnold Whittall in issue: 3/2010
Neither a biography of his early years, nor a close analysis of the pieces that blew up post-war...
Morrison’s Tchaikovsky is a rationalist who rather enjoys himself and aspires to a Mozartian poise...
This Senofsky double pack is revelatory, especially Brahms’s Third Sonata, a thrilling account with...
These are engaging, spontaneous-sounding performances that if widely heard could well spark off a...
Richard Bratby charts the relationship between the conductor and his Italian orchestra
‘Mengelberg’s performances – like Furtwängler’s – were for the most part products of careful...
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