Book review - Pierre Boulez: Organised Delirium (by Caroline Potter)
Neither a biography of his early years, nor a close analysis of the pieces that blew up post-war...
Georg Muffat (1653-1704) was principally employed in Salzburg and Passau, but in his early years he travelled widely, studying with...
Reviewed by DuncanDruce in issue: 13/2009
Nicholas Cleobury and the admirable Britten Sinfonia give what is, on balance, the most shapely and unaffectedly eloquent realization of...
Reviewed by Andrew Achenbach in issue: 9/1998
The reputation of Johann Jacob Froberger—a much-respected composer who studied with Frescobaldi but absorbed a variety of influences on his...
Reviewed by Lindsay Kemp in issue: 10/1990
A chamber orchestra would not be quite the thing if the object were to represent the splendid sounds heard in...
Reviewed in issue 10/1983
The combination of clarinet and piano does seem to have appealed to British composers (indeed this is a reflection, really,...
Reviewed in issue 11/1987
The anonymous Mass Puis que je vis looks a bit like Dufay and appears in the same manuscript as one...
Reviewed by David Fallows in issue: 11/2003
Even in today’s more tolerant cultural climate it is unlikely that these over-egged Couperin realizations will ever acquire the renown...
Reviewed in issue 10/1999
Devising an overview of Lassus's motets must be a daunting task: the 23 presented here are only a tiny fraction...
Reviewed by Fabrice Fitch in issue: 11/1994
The Orpheus Chamber Orchestra are a youthful body who play, conductorless, with an infectious enthusiasm. They play with enormous spirit,...
Reviewed by Stanley Sadie in issue: 11/1996
Domenico Mazzocchi was the elder of two composing brothers active in Rome in the first half of the seventeenth century....
Reviewed in issue 2/1992
Neither a biography of his early years, nor a close analysis of the pieces that blew up post-war...
Morrison’s Tchaikovsky is a rationalist who rather enjoys himself and aspires to a Mozartian poise...
This Senofsky double pack is revelatory, especially Brahms’s Third Sonata, a thrilling account with...
These are engaging, spontaneous-sounding performances that if widely heard could well spark off a...
Richard Bratby charts the relationship between the conductor and his Italian orchestra
‘Mengelberg’s performances – like Furtwängler’s – were for the most part products of careful...
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