Book review - Pierre Boulez: Organised Delirium (by Caroline Potter)
Neither a biography of his early years, nor a close analysis of the pieces that blew up post-war...
Antonio de Cabezon is one of those characters who appear in the history books for entirely the wrong reasons. We...
Reviewed by David Fallows in issue: 1/1987
David Wulstan's love affair with sixteenth-century English polyphony has been a longstanding and a lasting one: he founded the Clerkes...
Reviewed by Tess Knighton in issue: 5/1990
Memorable performances of Beethoven’s superb Egmont Overture are rarer than one might imagine but this Thielemann performance is exceptional, as...
Reviewed by Richard Osborne in issue: 7/2007
Although Ormandy's 1962 recording of the Mathis der Maler Symphony has taken three decades to reach these shores, this is...
Reviewed in issue 4/1994
Dame Joan Sutherland recalled that as a teenager one of the formative influences on her career was seeing Miliza Korjus...
Reviewed by Patrick O'Connor in issue: 8/1996
The close creative partnership between Mark Padmore and Paul Lewis is immediately heard in the opening “Liebesbotschaft”, Schubert’s last, and...
Reviewed by Richard Wigmore in issue: 13/2011
When precisely the term bel canto came into use I have been unable to verify, though James Tyler in his...
Reviewed by Lionel Salter in issue: 12/1985
Complete editions for all. The day is not so far off, and, among eligible minor composers, Quilter has two assets...
Reviewed by John Steane in issue: 13/2007
This is a most engaging and not at all recherche recording of late renaissance vocal and instrumental music. The clement...
Reviewed in issue 5/1986
Though the catch-all title “Melancholie” is slightly misleading, Christian Gerhaher’s enterprisingly planned programme provides a conspectus of Schumann’s art as...
Reviewed by Richard Wigmore in issue: 7/2008
Neither a biography of his early years, nor a close analysis of the pieces that blew up post-war...
Morrison’s Tchaikovsky is a rationalist who rather enjoys himself and aspires to a Mozartian poise...
This Senofsky double pack is revelatory, especially Brahms’s Third Sonata, a thrilling account with...
These are engaging, spontaneous-sounding performances that if widely heard could well spark off a...
Richard Bratby charts the relationship between the conductor and his Italian orchestra
‘Mengelberg’s performances – like Furtwängler’s – were for the most part products of careful...
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