Book review - Pierre Boulez: Organised Delirium (by Caroline Potter)
Neither a biography of his early years, nor a close analysis of the pieces that blew up post-war...
A half-hour spent with Tan Dun’s Ghost Opera brings us face-to-face with the past, the present and ‘forever’ by employing,...
Reviewed in issue 7/1997
Here are twin couplings of Mussorgsky’s original piano version and Ravel’s fascinating and resourceful orchestration. Yet it is a curious...
Reviewed by Bryce Morrison in issue: 2/1996
Only quite recently have period-instrument performers given much attention, as far as recording is concerned, to the Haydn piano trios....
Reviewed in issue 6/1995
Since the players' names are omitted from the new CD I think it important to point out that this is...
Reviewed in issue 6/1987
Revivals of Les Huguenots are sufficiently few and far between to provide on each occasion an opportunity to react and...
Reviewed by John Steane in issue: 3/2004
Offenbach composed Le financier et le savetier for the opening of the 1856‑57 season at his own theatre, Les Bouffes-Parisiens....
Reviewed by Patrick O'Connor in issue: 8/2007
If we ignore the sweeping generalizations and fatuous remarks contained in various accompanying essays – “Telemann, Handel and Hasse... remain...
Reviewed by Nicholas Anderson in issue: 7/1996
As ever, Rozhdestvensky has plenty to tell us about the music. He approaches both symphonies with a keen ear for...
Reviewed in issue 9/1994
The twin pillars of 20th-century Argentinian music are Ginastera and Piazzolla, the first the embodiment of Classical rigour, the other’s...
Reviewed by Guy Rickards in issue: 9/2004
It’s good to see such a gifted, high-profile young pianist as Leif Ove Andsnes tackling Haydn, whose sonatas still tend...
Reviewed by Richard Wigmore in issue: 5/1999
Neither a biography of his early years, nor a close analysis of the pieces that blew up post-war...
Morrison’s Tchaikovsky is a rationalist who rather enjoys himself and aspires to a Mozartian poise...
This Senofsky double pack is revelatory, especially Brahms’s Third Sonata, a thrilling account with...
These are engaging, spontaneous-sounding performances that if widely heard could well spark off a...
Richard Bratby charts the relationship between the conductor and his Italian orchestra
‘Mengelberg’s performances – like Furtwängler’s – were for the most part products of careful...
If you are a library, university or other organisation that would be interested in an institutional subscription to Gramophone please click here for further information.