Book review - Pierre Boulez: Organised Delirium (by Caroline Potter)
Neither a biography of his early years, nor a close analysis of the pieces that blew up post-war...
A glance at the current catalogue would have told Chandos that the Rachmaninov Choruses are not exactly ‘premiere recordings’, though...
Reviewed by David Fanning in issue: 7/2005
Muti and Koizumi both round off their series of the later Tchaikovsky symphonies in versions of No. 5 consistent with...
Reviewed by Edward Greenfield in issue: 7/1992
Why should anyone want this much-recorded work in a version dating from 1965, with abundant tape-hiss to show its age,...
Reviewed in issue 6/1988
What Philip Glass did for the arpeggio in the late 20th century, Simeon ten Holt (b1923) arguably has done for...
Reviewed by Jed Distler in issue: 9/2006
With some 40 versions of Ravel’s orchestration of Mussorgsky’s Pictures currently available – to say nothing of other orchestrations and...
Reviewed by John Warrack in issue: 11/1997
This well-balanced programme of Vivaldi concertos should have a wide appeal. Five of the seven works have descriptive or at...
Reviewed by Nicholas Anderson in issue: 5/1992
Andrew Carwood’s programme-note begins with a comment on the motet Haec dicit Dominus with which the recital ends. Though a...
Reviewed by John Steane in issue: 4/2009
Perlman, whose dignified contribution to Schindler’s List (1993) added immeasurably to the emotive impact of that score, has joined forces...
Reviewed by Marwalker in issue: 1/1998
So who was Ludwig Thuille? Sophie Rolland's and Marc-Andre Hamelin's performance of his Cello Sonata certainly made me want to...
Reviewed by hfinch in issue: 3/1995
Here at last is the sequel to the previous offering from I Fagiolini and Concordia, “All the King’s Men” (3/97)....
Reviewed by Fabrice Fitch in issue: 10/1998
Neither a biography of his early years, nor a close analysis of the pieces that blew up post-war...
Morrison’s Tchaikovsky is a rationalist who rather enjoys himself and aspires to a Mozartian poise...
This Senofsky double pack is revelatory, especially Brahms’s Third Sonata, a thrilling account with...
These are engaging, spontaneous-sounding performances that if widely heard could well spark off a...
Richard Bratby charts the relationship between the conductor and his Italian orchestra
‘Mengelberg’s performances – like Furtwängler’s – were for the most part products of careful...
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