Book review - Pierre Boulez: Organised Delirium (by Caroline Potter)
Neither a biography of his early years, nor a close analysis of the pieces that blew up post-war...
What a variable cycle this is turning out to be—the excellence of the sound being the only consistent factor. Though...
Reviewed by John Steane in issue: 5/1992
ASV’s latest addition to its Korngold series is an indispensable disc gathering together the complete works for violin and piano,...
Reviewed by Michael Stewart in issue: 9/2000
Only superlatives come to mind when describing the Alban Berg Quartet's form in these performances. The Orlando (Philips) are never...
Reviewed by James Methuen-Campbell in issue: 4/1986
The collection from which these motets are drawn appeared in print a few months before Palestrina’s death, but may have...
Reviewed by Fabrice Fitch in issue: 4/2007
Were it not for its static action and its uncomfortable length we should surely see and hear Bizet's penultimate opera...
Reviewed by Alan Blyth in issue: 4/1989
Together with the Op 76 Capricci and Intermezzi, Opp 116-119 form a unique, profound cornerstone of the repertoire. Bold, turbulent...
Reviewed by Bryce Morrison in issue: 2/2005
This documentary, made for television in 1995, is subtitled ‘A Self-Portrait’, so one assumes that Schwarzkopf herself had at least...
Reviewed by Patrick O'Connor in issue: 12/2002
As a follow-up to their colourful (and Gramophone Award-winning) album of concertos by the Dresden composer Heinichen (Archiv,...
Reviewed by Nicholas Anderson in issue: 8/1996
Ars Nova have recorded an enterprising selection of music, very well suited to their rich, full sound. A noteworthy feature...
Reviewed in issue 3/1996
For those whose passion is to explore the bottomless treasure chest of overlooked and underrated piano works, for whom a...
Reviewed by Jeremy Nicholas in issue: 2/2006
Neither a biography of his early years, nor a close analysis of the pieces that blew up post-war...
Morrison’s Tchaikovsky is a rationalist who rather enjoys himself and aspires to a Mozartian poise...
This Senofsky double pack is revelatory, especially Brahms’s Third Sonata, a thrilling account with...
These are engaging, spontaneous-sounding performances that if widely heard could well spark off a...
Richard Bratby charts the relationship between the conductor and his Italian orchestra
‘Mengelberg’s performances – like Furtwängler’s – were for the most part products of careful...
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