Book review - Pierre Boulez: Organised Delirium (by Caroline Potter)
Neither a biography of his early years, nor a close analysis of the pieces that blew up post-war...
It is gratifying that the increasing flow of recordings of Ockeghem’s Masses shows no sign of abating in the aftermath...
Reviewed by Fabrice Fitch in issue: 2/1999
Gerhard’s Concerto for Orchestra was an instant success at the 1965 Cheltenham Festival, which had commissioned it. Its avowed purpose...
Reviewed by Lionel Salter in issue: 5/1999
These are fine performances of what, with all deference to Stephen Banfield's excellent notes and MEO's enthusiastic first review, I...
Reviewed in issue 6/1991
With understandable elation a conductor friend reported to me a little while back that his record company might let him...
Reviewed by Edward Greenfield in issue: 1/1991
Here, taken live from Munich in 1986, is Mozart played and conducted by music’s ultimate maverick. It was, after all,...
Reviewed by Bryce Morrison in issue: 7/2006
This must surely be the most appealing of all versions of the delectable K488 Concerto on CD. Roger Norrington brings...
Reviewed by Stanley Sadie in issue: 11/1992
Doubts were expressed when Gilbert Deflo’s production of Manon was new in 1997: could a work which has its natural...
Reviewed by Patrick O'Connor in issue: 1/2004
In the early 1960s it really seemed as if Ludwig was going to transform herself into a dramatic soprano. First...
Reviewed by Alan Blyth in issue: 4/1998
The Mass at the centre of this recording is the Missa Ego flos campi by Juan Gutiérrez de Padilla, a...
Reviewed by Tess Knighton in issue: 4/2003
This outstanding CBS issue was one of my Critic's Choices last December, and it makes an excellent CD with the...
Reviewed by Edward Greenfield in issue: 4/1985
Neither a biography of his early years, nor a close analysis of the pieces that blew up post-war...
Morrison’s Tchaikovsky is a rationalist who rather enjoys himself and aspires to a Mozartian poise...
This Senofsky double pack is revelatory, especially Brahms’s Third Sonata, a thrilling account with...
These are engaging, spontaneous-sounding performances that if widely heard could well spark off a...
Richard Bratby charts the relationship between the conductor and his Italian orchestra
‘Mengelberg’s performances – like Furtwängler’s – were for the most part products of careful...
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