Book review - Pierre Boulez: Organised Delirium (by Caroline Potter)
Neither a biography of his early years, nor a close analysis of the pieces that blew up post-war...
This sensitive, not to say compelling recording does much to remind us that Imogen Holst (1907-84) was, throughout her life,...
Reviewed by Jeremy Dibble in issue: 3/2009
It’s clear from about a minute after the curtain first parts on this Bayreuth Festival production that we are in...
Reviewed by Mike Ashman in issue: 5/2010
Serious Stravinskians will want The Firebird and Pulcinella complete, perhaps Le baiser de la fee also, but the collector looking...
Reviewed by Michael Oliver in issue: 6/1991
Beneath the elegant, aristocratic surface of Saint-Saëns’ music there often run deeper currents: of wit and irony, tenderness and pudeur,...
Reviewed by rnichols in issue: 7/2004
Here is a rather disappointing follow-up to this team’s coupling of Nielsen’s Second and Third Symphonies (12/99). In that issue...
Reviewed by David Fanning in issue: 9/2000
Great sound this, four clarinets, each fitting nicely into a warm overall texture and matching their styles to the varieties...
Reviewed by Rob Cowan in issue: 13/2010
This is home ground to Italian tenors‚ and others are generally well advised to keep clear. The Slovakian Dvorsk´y has...
Reviewed in issue 12/2001
This has always been a competitive set, and it remains so at mid price on CD. Solti may drive hard...
Reviewed by Alan Blyth in issue: 9/1988
Helen Huang is a 16-year-old American pianist, born in Japan to Chinese parents. She has already appeared with many of...
Reviewed by Bryce Morrison in issue: 6/1998
With enterprising record companies digging out more and more fringe repertoire, every so often one discovers a first rate composer...
Reviewed by Ivan March in issue: 8/2007
Neither a biography of his early years, nor a close analysis of the pieces that blew up post-war...
Morrison’s Tchaikovsky is a rationalist who rather enjoys himself and aspires to a Mozartian poise...
This Senofsky double pack is revelatory, especially Brahms’s Third Sonata, a thrilling account with...
These are engaging, spontaneous-sounding performances that if widely heard could well spark off a...
Richard Bratby charts the relationship between the conductor and his Italian orchestra
‘Mengelberg’s performances – like Furtwängler’s – were for the most part products of careful...
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