Book review - Pierre Boulez: Organised Delirium (by Caroline Potter)
Neither a biography of his early years, nor a close analysis of the pieces that blew up post-war...
Rossini and his old friend Meyerbeer would have been charmed and gratified by this marvellous song recital by Thomas Hampson...
Reviewed by Richard Osborne in issue: 4/1992
Reviewed by kYlzrO1BaC7A in issue: 8/2001
It isn’t good to speak of rivalry or competition when individual artistry is at stake; but Marcia Hadjimarkos has rather...
Reviewed by Nalen Anthoni in issue: 13/2007
When in the middle of the quattrocento lutenists began to use the fingers of their right hands to pluck the...
Reviewed by John Duarte in issue: 6/1999
Beecham was no Brahmsian but he loved the Second Symphony and was for the best part of half a century...
Reviewed in issue 13/2002
The new D Sharp label makes an auspicious debut with this first collection of popular Sibelius orchestral music, impressively recorded...
Reviewed by Ivan March in issue: 12/1985
Auber’s operas were tremendously successful in the nineteenth century, but have hardly been performed in the twentieth at all. Le...
Reviewed by Patrick O'Connor in issue: 1/1996
As one might expect from so characterful an artist as Steven Isserlis, this is a cello recital with a difference,...
Reviewed by Edward Greenfield in issue: 9/1998
Sad to say, but I got more from Benjamin Zander’s lecture about Mahler’s First Symphony and ‘Wayfarer’ Songs than from...
Reviewed by Andrew Farach-Colton in issue: 4/2006
The most immediately striking thing about this disc is the wonderful piano sound. One can simply revel in the sheer...
Reviewed by Tim Parry in issue: 13/1998
Neither a biography of his early years, nor a close analysis of the pieces that blew up post-war...
Morrison’s Tchaikovsky is a rationalist who rather enjoys himself and aspires to a Mozartian poise...
This Senofsky double pack is revelatory, especially Brahms’s Third Sonata, a thrilling account with...
These are engaging, spontaneous-sounding performances that if widely heard could well spark off a...
Richard Bratby charts the relationship between the conductor and his Italian orchestra
‘Mengelberg’s performances – like Furtwängler’s – were for the most part products of careful...
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