Yvonne Printemps
View record and artist detailsRecord and Artist Details
Composer or Director: Maurice Yvain, Oscar Straus, André (Charles Prosper) Messager, Francis Poulenc, Jacques Offenbach, Georges Auric, Reynaldo Hahn
Label: Références
Magazine Review Date: 11/1989
Media Format: CD or Download
Media Runtime: 71
Mastering:
ADD
Catalogue Number: 769541-2
Tracks:
| Composition | Artist Credit |
|---|---|
| (Les) Chemins de l'amour |
Francis Poulenc, Composer
(Anonymous) Orchestra Francis Poulenc, Composer Marcel Cariven, Conductor Yvonne Printemps, Soprano |
| Véronique, Movement: De-ci, de là |
André (Charles Prosper) Messager, Composer
(Anonymous) Orchestra André (Charles Prosper) Messager, Composer Chorus Jacques Jansen, Baritone Marcel Cariven, Conductor Yvonne Printemps, Soprano |
| Véronique, Movement: Adieu, je pars |
André (Charles Prosper) Messager, Composer
(Anonymous) Orchestra André (Charles Prosper) Messager, Composer Chorus Jacques Jansen, Baritone Marcel Cariven, Conductor Yvonne Printemps, Soprano |
| (L')amour masqué, Movement: Valentine a perdu la tête |
André (Charles Prosper) Messager, Composer
(Anonymous) Orchestra André (Charles Prosper) Messager, Composer Marcel Cariven, Conductor Sascha Guitry, Singer Yvonne Printemps, Soprano |
| (L')amour masqué, Movement: Kartoum bella |
André (Charles Prosper) Messager, Composer
(Anonymous) Orchestra André (Charles Prosper) Messager, Composer Marcel Cariven, Conductor Sascha Guitry, Singer Yvonne Printemps, Soprano |
| Ta bouche, Movement: Potpourri (Pour tout ce que nous faisons...Ta boucoi) |
Maurice Yvain, Composer
(Anonymous) Orchestra Bastien Lestelly, Baritone Chorus Marcel Cariven, Conductor Maurice Yvain, Composer Yvonne Printemps, Soprano |
| Mozart, Movement: Depuis ton départ, mon amant (Air de la lettre: |
Reynaldo Hahn, Composer
(Anonymous) Orchestra Marcel Cariven, Conductor Reynaldo Hahn, Composer Yvonne Printemps, Soprano |
| Mozart, Movement: Alors, adieu donc, mon amour (Air des adieux: Moza |
Reynaldo Hahn, Composer
(Anonymous) Orchestra Marcel Cariven, Conductor Reynaldo Hahn, Composer Yvonne Printemps, Soprano |
| (La) Grande-Duchesse de Gérolstein, Movement: Otkuda eti sliosy (Voll Unruh' all mein Sehnen) |
Jacques Offenbach, Composer
Henri Büsser, Piano Jacques Offenbach, Composer Yvonne Printemps, Soprano |
| À sa guitare |
Francis Poulenc, Composer
(Anonymous) Orchestra Francis Poulenc, Composer Marcel Cariven, Conductor Yvonne Printemps, Soprano |
| Printemps de Ronsard |
Georges Auric, Composer
(Anonymous) Orchestra Georges Auric, Composer Marcel Cariven, Conductor Yvonne Printemps, Soprano |
| (Die) Drei Walzer, Movement: Overture |
Oscar Straus, Composer
(Anonymous) Orchestra Chorus Marcel Cariven, Conductor Oscar Straus, Composer Pierre Fresnay, Singer Yvonne Printemps, Soprano |
| (Die) Drei Walzer, Movement: Mehr im Takt, meine Damen |
Oscar Straus, Composer
(Anonymous) Orchestra Chorus Marcel Cariven, Conductor Oscar Straus, Composer Pierre Fresnay, Singer Yvonne Printemps, Soprano |
| (Die) Drei Walzer, Movement: ~ |
Oscar Straus, Composer
(Anonymous) Orchestra Chorus Marcel Cariven, Conductor Oscar Straus, Composer Pierre Fresnay, Singer Yvonne Printemps, Soprano |
| (Die) Drei Walzer, Movement: Gerne suchen wir Talent (finaletto) |
Oscar Straus, Composer
(Anonymous) Orchestra Chorus Marcel Cariven, Conductor Oscar Straus, Composer Pierre Fresnay, Singer Yvonne Printemps, Soprano |
| (Die) Drei Walzer, Movement: Hast du was g'hört? |
Oscar Straus, Composer
(Anonymous) Orchestra Chorus Marcel Cariven, Conductor Oscar Straus, Composer Pierre Fresnay, Singer Yvonne Printemps, Soprano |
Composer or Director: Maurice Yvain, Oscar Straus, André (Charles Prosper) Messager, Francis Poulenc, Jacques Offenbach, Georges Auric, Reynaldo Hahn
Label: Références
Magazine Review Date: 11/1989
Media Format: Cassette
Media Runtime: 0
Mastering:
ADD
Catalogue Number: EG769541-4
Tracks:
| Composition | Artist Credit |
|---|---|
| (Les) Chemins de l'amour |
Francis Poulenc, Composer
(Anonymous) Orchestra Francis Poulenc, Composer Marcel Cariven, Conductor Yvonne Printemps, Soprano |
| Véronique, Movement: De-ci, de là |
André (Charles Prosper) Messager, Composer
(Anonymous) Orchestra André (Charles Prosper) Messager, Composer Chorus Jacques Jansen, Baritone Marcel Cariven, Conductor Yvonne Printemps, Soprano |
| Véronique, Movement: Adieu, je pars |
André (Charles Prosper) Messager, Composer
(Anonymous) Orchestra André (Charles Prosper) Messager, Composer Chorus Jacques Jansen, Baritone Marcel Cariven, Conductor Yvonne Printemps, Soprano |
| (L')amour masqué, Movement: Valentine a perdu la tête |
André (Charles Prosper) Messager, Composer
(Anonymous) Orchestra André (Charles Prosper) Messager, Composer Marcel Cariven, Conductor Sascha Guitry, Singer Yvonne Printemps, Soprano |
| (L')amour masqué, Movement: Kartoum bella |
André (Charles Prosper) Messager, Composer
(Anonymous) Orchestra André (Charles Prosper) Messager, Composer Marcel Cariven, Conductor Sascha Guitry, Singer Yvonne Printemps, Soprano |
| Ta bouche, Movement: Potpourri (Pour tout ce que nous faisons...Ta boucoi) |
Maurice Yvain, Composer
(Anonymous) Orchestra Bastien Lestelly, Baritone Chorus Marcel Cariven, Conductor Maurice Yvain, Composer Yvonne Printemps, Soprano |
| Mozart, Movement: Depuis ton départ, mon amant (Air de la lettre: |
Reynaldo Hahn, Composer
(Anonymous) Orchestra Marcel Cariven, Conductor Reynaldo Hahn, Composer Yvonne Printemps, Soprano |
| Mozart, Movement: Alors, adieu donc, mon amour (Air des adieux: Moza |
Reynaldo Hahn, Composer
(Anonymous) Orchestra Marcel Cariven, Conductor Reynaldo Hahn, Composer Yvonne Printemps, Soprano |
| (La) Grande-Duchesse de Gérolstein, Movement: Otkuda eti sliosy (Voll Unruh' all mein Sehnen) |
Jacques Offenbach, Composer
Henri Büsser, Piano Jacques Offenbach, Composer Yvonne Printemps, Soprano |
| À sa guitare |
Francis Poulenc, Composer
(Anonymous) Orchestra Francis Poulenc, Composer Marcel Cariven, Conductor Yvonne Printemps, Soprano |
| Printemps de Ronsard |
Georges Auric, Composer
(Anonymous) Orchestra Georges Auric, Composer Marcel Cariven, Conductor Yvonne Printemps, Soprano |
| (Die) Drei Walzer, Movement: Overture |
Oscar Straus, Composer
(Anonymous) Orchestra Chorus Marcel Cariven, Conductor Oscar Straus, Composer Pierre Fresnay, Singer Yvonne Printemps, Soprano |
| (Die) Drei Walzer, Movement: Mehr im Takt, meine Damen |
Oscar Straus, Composer
(Anonymous) Orchestra Chorus Marcel Cariven, Conductor Oscar Straus, Composer Pierre Fresnay, Singer Yvonne Printemps, Soprano |
| (Die) Drei Walzer, Movement: ~ |
Oscar Straus, Composer
(Anonymous) Orchestra Chorus Marcel Cariven, Conductor Oscar Straus, Composer Pierre Fresnay, Singer Yvonne Printemps, Soprano |
| (Die) Drei Walzer, Movement: Gerne suchen wir Talent (finaletto) |
Oscar Straus, Composer
(Anonymous) Orchestra Chorus Marcel Cariven, Conductor Oscar Straus, Composer Pierre Fresnay, Singer Yvonne Printemps, Soprano |
| (Die) Drei Walzer, Movement: Hast du was g'hört? |
Oscar Straus, Composer
(Anonymous) Orchestra Chorus Marcel Cariven, Conductor Oscar Straus, Composer Pierre Fresnay, Singer Yvonne Printemps, Soprano |
Author: Andrew Lamb
If we should need a reminder of how and why the name of Yvonne Printemps rose above any other from the Parisian popular musical theatre between the two World Wars, here it is. Here is a soprano voice of remarkable clarity and purity but one that uses words to tease and seduce irresistibly. If it is already apparent in the opening numbers, from Oscar Strauss's Trois valses, that there is something exaggerated in the way Mlle Printemps holds on to notes long after she decently ought, one is none the less left enraptured by it. Later, in Reynaldo Hahn's Mozart and Oscar Strauss's Mariette, playing opposite her first husband, Sacha Guitry, we note particularly the way in which, as James Agate commented at the time, she ''uses song and speech indifferently switching almost imperceptibly from one to the other''. The laughs, the hushed whispers, the indignation, the excitement are generated in spellbinding fashion. Variety is provided for this generous collection by the inclusion of theatre songs by Poulenc and Auric and backward glances at Messager's Veronigue and Offenbach's La Grande Duchesse de Gerolstein. Delightful music all—but more particularly performances that are quite unique.'
Yvonne Printemps
Yvonne Printemps
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