Where are you? Pieces from Warsaw
View record and artist detailsRecord and Artist Details
Composer or Director: Bartosz Kowalski, Miłosz Bembinow, Pawel Lukaszewski, Andrzej Borzym jr
Genre:
Vocal
Label: Sarton
Magazine Review Date: 04/2015
Media Format: CD or Download
Media Runtime: 41
Mastering:
DDD
Catalogue Number: SARTON015-2
Tracks:
Composition | Artist Credit |
---|---|
Beatus servus |
Miłosz Bembinow, Composer
Miłosz Bembinow, Composer proMODERN Contemporary Vocal Sextet |
Agnus Dei |
Andrzej Borzym jr, Composer
Andrzej Borzym jr, Composer proMODERN Contemporary Vocal Sextet |
Responsoria Tenebrae, Movement: O vos omnes |
Pawel Lukaszewski, Composer
Pawel Lukaszewski, Composer proMODERN Contemporary Vocal Sextet |
Where are you |
Bartosz Kowalski, Composer
Bartosz Kowalski, Composer proMODERN Contemporary Vocal Sextet |
Ave maris stella |
Miłosz Bembinow, Composer
Miłosz Bembinow, Composer proMODERN Contemporary Vocal Sextet |
Beatus vir |
Miłosz Bembinow, Composer
Miłosz Bembinow, Composer proMODERN Contemporary Vocal Sextet |
Domine Deus II |
Bartosz Kowalski, Composer
Bartosz Kowalski, Composer proMODERN Contemporary Vocal Sextet |
Mors Laocoontis |
Andrzej Borzym jr, Composer
Andrzej Borzym jr, Composer proMODERN Contemporary Vocal Sextet |
Nunc dimittis |
Pawel Lukaszewski, Composer
Pawel Lukaszewski, Composer proMODERN Contemporary Vocal Sextet |
Author: Ivan Moody
In many ways the most original work here is by Andrzej Borzym Jnr. His Agnus Dei, the opening of which is particularly striking, works through a wide range of textures and techniques into a cumulatively impressive work that the group hopes might become part of a complete setting of the Mass. I hope so too. Also remarkable is his Mors Laocoontis, to a lengthy text from Virgil, which again displays a remarkable understanding of vocal texture.
Not all the music here is so immediately impressive but ukaszewski’s dark-hued O vos omnes and gently pulsing Nunc dimittis are also highlights. This last was originally written for the Choir of Trinity College, Cambridge, and is sung here in a new arrangement that makes the most of proMODERN’s bright timbre and agility, and their ability to place chords with tremendous precision. The sound they make is in many ways actually a very English one – think of The King’s Singers with added female voices – but that does not mean that it lacks passion; quite the reverse. I look forward to hearing much more from this splendid group, and much more in particular from Andrzej Borzym.
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