Warsaw Concerto and other Piano Concertos from The Movies
View record and artist detailsRecord and Artist Details
Composer or Director: Bernard Herrmann, Leonard Pennario, Miklós Rózsa, Jack Beaver, Nino Rota, Hubert Bath, Charles Williams, Richard Addinsell, Richard Rodney Bennett
Label: Naxos
Magazine Review Date: 7/1998
Media Format: CD or Download
Media Runtime: 74
Mastering:
DDD
Catalogue Number: 8 554323

Tracks:
Composition | Artist Credit |
---|---|
Warsaw Concerto |
Richard Addinsell, Composer
Philip Fowke, Piano Prionnsías O'Duinn, Conductor Richard Addinsell, Composer RTE Concert Orchestra |
Portrait of Isla |
Jack Beaver, Composer
Jack Beaver, Composer Philip Fowke, Piano Prionnsías O'Duinn, Conductor RTE Concert Orchestra |
Spellbound Concerto |
Miklós Rózsa, Composer
Miklós Rózsa, Composer Philip Fowke, Piano Prionnsías O'Duinn, Conductor RTE Concert Orchestra |
(The) Legend of the Glass Mountain |
Nino Rota, Composer
Nino Rota, Composer Philip Fowke, Piano Prionnsías O'Duinn, Conductor RTE Concert Orchestra |
Murder on the Orient Express, Movement: Waltz |
Richard Rodney Bennett, Composer
Philip Fowke, Piano Prionnsías O'Duinn, Conductor Richard Rodney Bennett, Composer RTE Concert Orchestra |
Cornish Rhapsody |
Hubert Bath, Composer
Hubert Bath, Composer Philip Fowke, Piano Prionnsías O'Duinn, Conductor RTE Concert Orchestra |
Hangover Square |
Bernard Herrmann, Composer
Bernard Herrmann, Composer Philip Fowke, Piano Prionnsías O'Duinn, Conductor RTE Concert Orchestra |
Dream of Olwen |
Charles Williams, Composer
Charles Williams, Composer Philip Fowke, Piano Prionnsías O'Duinn, Conductor RTE Concert Orchestra |
Julie |
Leonard Pennario, Composer
Leonard Pennario, Composer Philip Fowke, Piano Prionnsías O'Duinn, Conductor RTE Concert Orchestra |
Author: Patrick O'Connor
Its pseudo-Rachmaninov scoring and flashy virtuoso solos were clearly the inspiration for two other celebrated pieces included on this CD – Cornish Rhapsody by Hubert Bath, from Love Story (1945), and Charles Williams’s Dream of Olwen for While I Live (1947), which became so popular that the film was reissued under the title of the music.
All but two of the pieces on this collection are from the 1940s. The later excursions into the style are Richard Rodney Bennett’s music for Murder on the Orient Express (perhaps a conscious salute to the old films) and Leonard Pennario’s music for Midnight on the Cliffs (from the Doris Day-Louis Jourdain vehicle, Julie).
The most ambitious scores are from those two Hollywood masters Miklos Rozsa and Bernard Herrmann. Rozsa’s music for Hitchcock’s Spellbound was not originally conceived as a concerto: Rozsa arranged the film score later, adding the solo part for the Theremin, which gives it its strange nightmare sound. Herrmann’s Concerto Macabre from the 1944 Hangover Square was the climax of the film, when the mad pianist sets fire to the concert-hall. Philip Fowke plays all the pieces with affection and panache, and the RTE Concert Orchestra under Proinnsias O’Duinn attempt the period style. There is a uniformity about a lot of the music which is shown up by the inclusion of the Rosza and Herrmann pieces, but if you’ve always wished that the Warsaw Concerto were longer, this is the very disc for you.'
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