Viva Napoli - Canzoni Villanesche

A convincing and highly enjoyable evocation of a 16th-century evening’s entertainment, complemented by the booklet-notes

Record and Artist Details

Composer or Director: Adrian Willaert, Francesco Bendusi, Cesare (de') Negri, Costanzo Festa, Orlande de Lassus, Filippo Azzaiolo, Antonio Valente, Giovanni Domenico del Giovane da Nola, Gasparo Zanetti, Giovanni Nasco, Fabritio Caroso

Label: Astrée

Media Format: CD or Download

Media Runtime: 63

Mastering:

DDD

Catalogue Number: E8648

Tracks:

Composition Artist Credit
Pass'e mezzo della Paganina, gagliarda Francesco Bendusi, Composer
Denis Raisin-Dadre, Flute
Doulce Mémoire
Francesco Bendusi, Composer
(Il) secondo libro de villotte Filippo Azzaiolo, Composer
Denis Raisin-Dadre, Flute
Doulce Mémoire
Filippo Azzaiolo, Composer
(Il) Ballarino, Movement: Chiarenzana Fabritio Caroso, Composer
Denis Raisin-Dadre, Flute
Doulce Mémoire
Fabritio Caroso, Composer
Chi la gagliarda Giovanni Domenico del Giovane da Nola, Composer
Denis Raisin-Dadre, Flute
Doulce Mémoire
Giovanni Domenico del Giovane da Nola, Composer
Madonna io sono un medico perfetto Costanzo Festa, Composer
Costanzo Festa, Composer
Denis Raisin-Dadre, Flute
Doulce Mémoire
Vecchie letrose non valete niente Adrian Willaert, Composer
Adrian Willaert, Composer
Denis Raisin-Dadre, Flute
Doulce Mémoire
O bene mio Adrian Willaert, Composer
Adrian Willaert, Composer
Denis Raisin-Dadre, Flute
Doulce Mémoire
Madonna mia pietà Orlande de Lassus, Composer
Denis Raisin-Dadre, Flute
Doulce Mémoire
Orlande de Lassus, Composer
(Il) Scolaro, Movement: La bella Pedrina Gasparo Zanetti, Composer
Denis Raisin-Dadre, Flute
Doulce Mémoire
Gasparo Zanetti, Composer
(Il) Scolaro, Movement: Saltarello Gasparo Zanetti, Composer
Denis Raisin-Dadre, Flute
Doulce Mémoire
Gasparo Zanetti, Composer
(La) Cortesia voi donne predicate Orlande de Lassus, Composer
Denis Raisin-Dadre, Flute
Doulce Mémoire
Orlande de Lassus, Composer
Intavolatura di Cimbalo, Movement: Gaillarda Napolitana Antonio Valente, Composer
Antonio Valente, Composer
Freddy Eichelberger, Harpsichord
Intavolatura di Cimbalo, Movement: Tenore grande alla napolitana Antonio Valente, Composer
Antonio Valente, Composer
Freddy Eichelberger, Harpsichord
Tu sai, madonna mia, ch'io t'amo e voglio Orlande de Lassus, Composer
Denis Raisin-Dadre, Flute
Doulce Mémoire
Orlande de Lassus, Composer
Pass'e mezzo ditto il romano, Pass'mezzo ditto il Francesco Bendusi, Composer
Denis Raisin-Dadre, Flute
Doulce Mémoire
Francesco Bendusi, Composer
(Il) primo libro de villotte, Movement: Al di dolce ben mio Filippo Azzaiolo, Composer
Denis Raisin-Dadre, Flute
Doulce Mémoire
Filippo Azzaiolo, Composer
(Il) primo libro de villotte, Movement: Chi passa per sta strada Filippo Azzaiolo, Composer
Denis Raisin-Dadre, Flute
Doulce Mémoire
Filippo Azzaiolo, Composer
(Le) Gratie d'amore, Movement: Bizzarria d'amore Cesare (de') Negri, Composer
Cesare (de') Negri, Composer
Denis Raisin-Dadre, Flute
Doulce Mémoire
(Il) Primo Libro di Canzone villanesche alla napol Giovanni Nasco, Composer
Denis Raisin-Dadre, Flute
Doulce Mémoire
Giovanni Nasco, Composer
Madonna mia fa Adrian Willaert, Composer
Adrian Willaert, Composer
Denis Raisin-Dadre, Flute
Doulce Mémoire
To date, Ensemble Doulce Memoire’s discography has been fairly evenly divided between French and Italian repertories. Here the group associates itself more firmly still with a specific location and repertory, that of Naples in the mid-16th century. One finds here the usual suspects of the popularising trend with which Naples is associated: Gian Domenico da Nola, Adrian Willaert (represented by his infamous Vecchie letrose and the delightful Madonna mia fa) and the young Lassus, on whom the city’s popular musical culture clearly made a lasting impression. Indeed, the imaginative and entertaining programme notes invite us to imagine Lassus masterminding an evening’s entertainment at the home of his Neapolitan employer, of which this is the programme. Some recent releases have shown that such recreations are by no means easy to carry off convincingly; but Denis Raisin-Dadre and his ensemble do just that.
Similarly, this disc’s other theme, the villanella and its more learned polyphonic offshoots, has been generously treated by native Italian ensembles in the last year or so (notably on the Opus 111 label); it is a great compliment to these French musicians that they can hold their own in their Italian masquers’ outfits. There is hardly a track that fails to convince; the diminutions in Madonna mia pieta, in common with the instrumental contributions in general, are skilfully done (even if they place more rhythmic constraints on the voices than one would like), and Vecchie letrose is as nasty as it ought to be. Even when the improvisatory licence is occasionally exceeded, the general tenor of this recital is strong enough to be convincing. As I mentioned before, the ensemble takes great care to present the booklet-notes as integral to the disc’s conception; and after an hour’s entertainment, a little unscripted surprise awaits the listener … which I won’t give away. As I’ve already suggested, this repertory is slowly gaining decent representation on disc, but I doubt that you’ll find a better-judged recital than this one.'

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