Viri Galilaei
View record and artist detailsRecord and Artist Details
Composer or Director: Edward Elgar, Charles Warren, (Charles) Hubert (Hastings) Parry, Roger Quilter, Thomas Morley, Patrick Gowers, John Rutter, William Harris, William Byrd, Jonathan Dove, Thomas Tallis, Gerald (Raphael) Finzi
Genre:
Vocal
Label: Delphian
Magazine Review Date: 04/2016
Media Format: CD or Download
Media Runtime: 75
Mastering:
DDD
Catalogue Number: DCD34174

Tracks:
Composition | Artist Credit |
---|---|
Te Deum |
Jonathan Dove, Composer
Benjamin Nicholas, Conductor Charles Warren, Composer Choir of Merton College, Oxford Jonathan Dove, Composer Peter Phillips, Conductor Peter Shepherd, Organ |
If ye love me |
Thomas Tallis, Composer
Benjamin Nicholas, Conductor Charles Warren, Composer Choir of Merton College, Oxford Peter Phillips, Conductor Peter Shepherd, Organ Thomas Tallis, Composer |
Give unto the Lord |
Edward Elgar, Composer
Benjamin Nicholas, Conductor Charles Warren, Composer Choir of Merton College, Oxford Edward Elgar, Composer Peter Phillips, Conductor Peter Shepherd, Organ |
Nolo mortem peccatoris |
Thomas Morley, Composer
Benjamin Nicholas, Conductor Charles Warren, Composer Choir of Merton College, Oxford Peter Phillips, Conductor Peter Shepherd, Organ Thomas Morley, Composer |
(The) Lord bless you and keep you |
John Rutter, Composer
Benjamin Nicholas, Conductor Charles Warren, Composer Choir of Merton College, Oxford John Rutter, Composer Peter Phillips, Conductor Peter Shepherd, Organ |
Blest pair of Sirens |
(Charles) Hubert (Hastings) Parry, Composer
(Charles) Hubert (Hastings) Parry, Composer Benjamin Nicholas, Conductor Charles Warren, Composer Choir of Merton College, Oxford Peter Phillips, Conductor Peter Shepherd, Organ |
Diliges Dominum |
William Byrd, Composer
Benjamin Nicholas, Conductor Charles Warren, Composer Choir of Merton College, Oxford Peter Phillips, Conductor Peter Shepherd, Organ William Byrd, Composer |
Lead us, heavenly Father |
Roger Quilter, Composer
Benjamin Nicholas, Conductor Charles Warren, Composer Choir of Merton College, Oxford Peter Phillips, Conductor Peter Shepherd, Organ Roger Quilter, Composer |
O nata lux de lumine |
Thomas Tallis, Composer
Benjamin Nicholas, Conductor Charles Warren, Composer Choir of Merton College, Oxford Peter Phillips, Conductor Peter Shepherd, Organ Thomas Tallis, Composer |
Lo, the full, final sacrifice |
Gerald (Raphael) Finzi, Composer
Benjamin Nicholas, Conductor Charles Warren, Composer Choir of Merton College, Oxford Gerald (Raphael) Finzi, Composer Peter Phillips, Conductor Peter Shepherd, Organ |
Faire is the heaven |
William Harris, Composer
Benjamin Nicholas, Conductor Charles Warren, Composer Choir of Merton College, Oxford Peter Phillips, Conductor Peter Shepherd, Organ William Harris, Composer |
Ave verum corpus |
William Byrd, Composer
Benjamin Nicholas, Conductor Charles Warren, Composer Choir of Merton College, Oxford Peter Phillips, Conductor Peter Shepherd, Organ William Byrd, Composer |
Viri Galilaei |
Patrick Gowers, Composer
Benjamin Nicholas, Conductor Charles Warren, Composer Choir of Merton College, Oxford Patrick Gowers, Composer Peter Phillips, Conductor Peter Shepherd, Organ |
Author: Marc Rochester
Whose favourites? Well, by a happy coincidence, mine. But, more importantly, they are clearly favourites of the two conductors who bring to these performances a warm-hearted fondness which is as indefinable as it is apparent. Peter Phillips naturally shows great stylistic sympathy for Morley, Byrd and Tallis, and If ye love me is performed here with deliciously expansive melodic fluidity.
Benjamin Nicholas directs compelling performances of the more modern items on the disc, including Jonathan Dove’s scintillating Te Deum and the title-work by Patrick Gowers, with its captivating double organ accompaniment, masterfully handled by Charles Warren and Peter Shepherd. At times Nicholas’s enthusiasm results in a slight loosening of the reins (as in Elgar’s Give unto the Lord), which causes a certain blurring of the textural edges, but these perceptive performances lack for nothing in their interpretative conviction.
The Merton choir’s singing is notable for its clarity. The polyphonic lines of Byrd’s Diliges Dominum, the antiphonal effects of Harris’s classic Faire is the heaven and even the dense textures of Parry’s Blest pair of sirens have about them an almost glass-like transparency. If there is a flaw, it’s in the slightly over-rich tone which, in Rutter’s The Lord bless you, compromises the essential purity of this exquisite little gem.
Even if not every item is a personal favourite, this is a lovely collection of good music, well performed, beautifully sung and exquisitely recorded. Who could ask for anything more?
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