TCHAIKOVSKY Romances
View record and artist detailsRecord and Artist Details
Composer or Director: Pyotr Ilyich Tchaikovsky
Genre:
Vocal
Label: Melodiya
Magazine Review Date: 12/2014
Media Format: CD or Download
Media Runtime: 60
Mastering:
DDD
Catalogue Number: MELCD100 2278
Tracks:
Composition | Artist Credit |
---|---|
(12) Songs, Movement: No. 2, I'll tell you nothing (wds. Fet) |
Pyotr Ilyich Tchaikovsky, Composer
Antonina Kadobnova, Piano Natalia Petrozhitskaya, Soprano Pyotr Ilyich Tchaikovsky, Composer |
(6) Songs, Movement: No. 2, Wait (wds. Grekov) |
Pyotr Ilyich Tchaikovsky, Composer
Antonina Kadobnova, Piano Natalia Petrozhitskaya, Soprano Pyotr Ilyich Tchaikovsky, Composer |
(6) Songs, Movement: No. 1, Do not believe, my friend (wds. Tolstoy) |
Pyotr Ilyich Tchaikovsky, Composer
Antonina Kadobnova, Piano Natalia Petrozhitskaya, Soprano Pyotr Ilyich Tchaikovsky, Composer |
(6) Songs, Movement: No. 1, Cradle song (wds. Maykov) |
Pyotr Ilyich Tchaikovsky, Composer
Antonina Kadobnova, Piano Natalia Petrozhitskaya, Soprano Pyotr Ilyich Tchaikovsky, Composer |
To forget so soon |
Pyotr Ilyich Tchaikovsky, Composer
Antonina Kadobnova, Piano Natalia Petrozhitskaya, Soprano Pyotr Ilyich Tchaikovsky, Composer |
(7) Songs, Movement: No. 7, Was I not a little blade of grass? (wds. |
Pyotr Ilyich Tchaikovsky, Composer
Antonina Kadobnova, Piano Natalia Petrozhitskaya, Soprano Pyotr Ilyich Tchaikovsky, Composer |
(7) Songs, Movement: No. 2, Softly the spirit flew up to heaven (wds. T |
Pyotr Ilyich Tchaikovsky, Composer
Antonina Kadobnova, Piano Natalia Petrozhitskaya, Soprano Pyotr Ilyich Tchaikovsky, Composer |
(7) Songs, Movement: No. 1, If only I had known (wds. Tolstoy) |
Pyotr Ilyich Tchaikovsky, Composer
Antonina Kadobnova, Piano Natalia Petrozhitskaya, Soprano Pyotr Ilyich Tchaikovsky, Composer |
(6) Duets, Movement: Tears (wds. Tyutchev) |
Pyotr Ilyich Tchaikovsky, Composer
Antonina Kadobnova, Piano Dmitry Zuev, Baritone Natalia Petrozhitskaya, Soprano Pyotr Ilyich Tchaikovsky, Composer |
My genius, my angel, my friend |
Pyotr Ilyich Tchaikovsky, Composer
Antonina Kadobnova, Piano Dmitry Zuev, Baritone Pyotr Ilyich Tchaikovsky, Composer |
(6) Songs, Movement: No. 5, Why? (wds. Mey, after Heine) |
Pyotr Ilyich Tchaikovsky, Composer
Antonina Kadobnova, Piano Dmitry Zuev, Baritone Pyotr Ilyich Tchaikovsky, Composer |
(6) Songs, Movement: No. 1, Don Juan's Serenade (wds. Tolstoy) |
Pyotr Ilyich Tchaikovsky, Composer
Antonina Kadobnova, Piano Dmitry Zuev, Baritone Pyotr Ilyich Tchaikovsky, Composer |
(6) Songs, Movement: No. 3, At the ball (wds. Tolstoy) |
Pyotr Ilyich Tchaikovsky, Composer
Antonina Kadobnova, Piano Dmitry Zuev, Baritone Pyotr Ilyich Tchaikovsky, Composer |
(12) Songs, Movement: No. 11, Exploit (wds. Khomyakov) |
Pyotr Ilyich Tchaikovsky, Composer
Antonina Kadobnova, Piano Dmitry Zuev, Baritone Pyotr Ilyich Tchaikovsky, Composer |
(6) Songs, Movement: No. 5, The love of a dead man (wds. Lermontov) |
Pyotr Ilyich Tchaikovsky, Composer
Antonina Kadobnova, Piano Dmitry Zuev, Baritone Pyotr Ilyich Tchaikovsky, Composer |
(6) Songs, Movement: Serenade: O child beneath thy window |
Pyotr Ilyich Tchaikovsky, Composer
Antonina Kadobnova, Piano Dmitry Zuev, Baritone Pyotr Ilyich Tchaikovsky, Composer |
(6) Songs, Movement: No. 6, Again, as before, alone |
Pyotr Ilyich Tchaikovsky, Composer
Antonina Kadobnova, Piano Dmitry Zuev, Baritone Pyotr Ilyich Tchaikovsky, Composer |
Author: Geoffrey Norris
Hearing Petrozhitskaya in ‘So soon forgotten’ highlights her operatic gifts and explains why she has been credited as such a poignant Tatyana in Tchaikovsky’s Eugene Onegin: there is real passion here, together with a relish of Russian vowels and consonants, but there is also, as her other seven songs reveal, a capacity for subtle inflection and a softly floated line. The centrepiece of the recital is ‘Tears’, one of Tchaikovsky’s Six Duets, Op 46, in which Petrozhitskaya is partnered by Zuev. Zuev then embarks on his own eight songs, starting with Tchaikovsky’s earliest, ‘My genius, my angel, my friend’, and ending with one of his last, ‘Again, as before, alone’. Zuev’s timbre attractively blends freshness with maturity, unforced intensity and a compelling emotional resonance.
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