Sumer is icumen in

Record and Artist Details

Composer or Director: Anonymous, St. Godric, Traditional

Label: Harmonia Mundi

Media Format: CD or Download

Media Runtime: 56

Mastering:

DDD

Catalogue Number: HMC90 1154

Tracks:

Composition Artist Credit
Sainte Marie viergene St. Godric, Composer
St. Godric, Composer
Hilliard Ensemble
Crist and Sainte Marie St. Godric, Composer
St. Godric, Composer
Hilliard Ensemble
Sainte Nicolas St. Godric, Composer
St. Godric, Composer
Hilliard Ensemble
Sumer is icumen in Anonymous, Composer
Anonymous, Composer
Hilliard Ensemble
Fuweles in the frith Anonymous, Composer
Anonymous, Composer
Hilliard Ensemble
Edi beo thu, heven-queene Anonymous, Composer
Anonymous, Composer
Hilliard Ensemble
Worldes blisse Anonymous, Composer
Anonymous, Composer
Hilliard Ensemble
Gabriel fram heven-king Traditional, Composer
Hilliard Ensemble
Traditional, Composer
Stond wel moder under roode Anonymous, Composer
Anonymous, Composer
Hilliard Ensemble
Ut tuo propitiatus Anonymous, Composer
Anonymous, Composer
Hilliard Ensemble
Worcester Fragments, Movement: Alleluya nativitas Anonymous, Composer
Anonymous, Composer
Hilliard Ensemble
Kyrie Rex virginum Anonymous, Composer
Anonymous, Composer
Hilliard Ensemble
Sanctus Maria mater Anonymous, Composer
Anonymous, Composer
Hilliard Ensemble
Agnus Dei Factus homo Anonymous, Composer
Anonymous, Composer
Hilliard Ensemble
Perspice Christicola Anonymous, Composer
Anonymous, Composer
Hilliard Ensemble
Mater ora filium Anonymous, Composer
Anonymous, Composer
Hilliard Ensemble
Valde mane diliculo Anonymous, Composer
Anonymous, Composer
Hilliard Ensemble
Ovet mundus letabundus Anonymous, Composer
Anonymous, Composer
Hilliard Ensemble
Gaude virgo mater Christi Anonymous, Composer
Anonymous, Composer
Hilliard Ensemble
A truly international disc. Medieval English songs sung most movingly by a favourite English group in an English church (St Jude's on the Hill) but recorded, produced and released by a French company. It is smoothly performed and produced, with interest maintained by the alternations achieved by the six voices interspersing solos or duets with part singing. The recording is entirely appropriate with just the right amount of ambience and a degree of clarity which adds to the fascination of the medieval pronunciation.'

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