Stravinsky Ballets
View record and artist detailsRecord and Artist Details
Composer or Director: Igor Stravinsky
Label: Duo
Magazine Review Date: 1/1994
Media Format: CD or Download
Media Runtime: 151
Mastering:
ADD
Catalogue Number: 438 350-2PM2
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Tracks:
Composition | Artist Credit |
---|---|
(The) Rite of Spring, '(Le) sacre du printemps' |
Igor Stravinsky, Composer
Bernard Haitink, Conductor Igor Stravinsky, Composer London Philharmonic Orchestra |
(The) Firebird, '(L')oiseau de feu' |
Igor Stravinsky, Composer
Bernard Haitink, Conductor Igor Stravinsky, Composer London Philharmonic Orchestra |
Petrushka |
Igor Stravinsky, Composer
Bernard Haitink, Conductor Igor Stravinsky, Composer London Philharmonic Orchestra |
Apollon musagète |
Igor Stravinsky, Composer
Igor Markevitch, Conductor Igor Stravinsky, Composer London Symphony Orchestra |
Author:
Haitink's share is best represented by The Firebird—the first half especially—where his impressive sleight of hand dazzles us with the full range of Stravinsky's magical orchestration. But in the eleventh section, ''Kastchei's guardian monsters and capture of Ivan Tsarevich'', the tension begins to flag and memories of Dorati and the LSO further compound one's dissatisfaction. Petrushka is paraded in his 1911 'original' guise which would have been a real bonus had the performance sparkled more, but Haitink's thoughtful exegesis, although undeniably sympathetic and full of tender phrasing, has little of the fairground (or even theatre) about it. The Rite is better, but still not quite on target; there are occasional imprecisions and detail is too often shielded by blurting brass or thundering volleys of percussion. It needn't be this way, as Mata, Davis, Bour, Monteux, Stravinsky and Markevitch have so successfully proved. And reference to Markevitch brings me to the set's undoubted high-spot, a lovingly tended Apollon musagete, warm, buoyant and profoundly balletic, even though the coda is a little over-cautious. This alone has been ''Digitalized by Bitstream'', and sounds all the better for it, whereas Haitink's LPO strings are occasionally coarse-grained.'
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