Spirit of Brazil
This fantastic foursome conjure up both a rainforest and a Rio carnival
View record and artist detailsRecord and Artist Details
Composer or Director: Heitor Villa-Lobos, Paulo Bellinati, Sérgio Assad, Roland Dyens, Clarice Assad, Egberto Gismonti
Label: Chandos
Magazine Review Date: 5/2009
Media Format: CD or Download
Media Runtime: 0
Catalogue Number: CHAN10512
Tracks:
Composition | Artist Credit |
---|---|
Bluezilian |
Clarice Assad, Composer
Aquarelle Guitar Quartet Clarice Assad, Composer |
Bachianas brasileiras No. 5, Movement: Aria: Cantilena |
Heitor Villa-Lobos, Composer
Aquarelle Guitar Quartet Heitor Villa-Lobos, Composer |
String Quartet No. 1 |
Heitor Villa-Lobos, Composer
Aquarelle Guitar Quartet Heitor Villa-Lobos, Composer |
Danças Nativas |
Clarice Assad, Composer
Aquarelle Guitar Quartet Clarice Assad, Composer |
Palhaço |
Egberto Gismonti, Composer
Aquarelle Guitar Quartet Egberto Gismonti, Composer |
Uarekena |
Sérgio Assad, Composer
Aquarelle Guitar Quartet Sérgio Assad, Composer |
Brésils |
Roland Dyens, Composer
Aquarelle Guitar Quartet Roland Dyens, Composer |
(A) Furiosa |
Paulo Bellinati, Composer
Aquarelle Guitar Quartet Paulo Bellinati, Composer |
Memória a Fado |
Egberto Gismonti, Composer
Aquarelle Guitar Quartet Egberto Gismonti, Composer |
Author: William Yeoman
Formed while its original members (of which two remain) were students at the Royal Northern College of Music, the AGQ is an award-winning ensemble that can easily stand alongside the likes of the excellent LA Guitar Quartet, whose 2007 release “LAGQ Brazil” (Telarc) perhaps inspired the younger quartet’s own “Spirit of Brazil” (it’s worth noting that the AGQ has received instruction from LA Guitar Quartet member Scott Tennant).
Whereas the LAGQ’s “Brazil” also features the talents of São Pauloborn jazz vocalist and composer Luciana Souza, flautist Katisse Buckingham and percussionist Kevin Ricard to bring some extra colour and variety to the mix, the AGQ goes it alone, imitating percussion instruments such as the quica where necessary and generally having a ball. Listen to the compelling groove in the vibrant opening Bluezilian by Clarice Assad, daughter of Sergio of Assad Brothers fame (who is also represented here with his evocative Uarekena), or the sensitive, improvisatory phrasing in the moving Gismonti duet Memória e Fado which ends the disc.
Then there are gems such as the successful arrangement of Villa-Lobos’s Bachianas Brasileiras No 5 by former Aquarelle member Richard Safhill, and the incredible six-movement Brésils by Roland Dyens, in which the AGQ manage convincingly to sound like an Amazonian rainforest and a marching band at the Carnival de Rio. Guitarquartetophobes – your cure has arrived!
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