Silver-Garburg Piano Duo: Illumination
View record and artist detailsRecord and Artist Details
Composer or Director: Robert Schumann, Franz Liszt, Camille Saint-Saëns
Genre:
Instrumental
Label: Berlin Classics
Magazine Review Date: 08/2019
Media Format: CD or Download
Media Runtime: 54
Mastering:
DDD
Catalogue Number: 885470012643
Tracks:
Composition | Artist Credit |
---|---|
Sonata for Piano |
Franz Liszt, Composer
Franz Liszt, Composer Silver-Garburg Piano Duo |
(6) Studies |
Robert Schumann, Composer
Robert Schumann, Composer |
Introduction and Rondo capriccioso |
Camille Saint-Saëns, Composer
Camille Saint-Saëns, Composer Silver-Garburg Piano Duo |
Author: Jeremy Nicholas
Saint Saëns is entirely faithful to Liszt’s original – a translation rather than an elaboration – but distributing the material between four hands and feet does not ipso facto give the two players an easier time surmounting the myriad musical and technical challenges of the original solo. However, it is partly the handling of these very difficulties that makes a solo performance such a compelling experience and the playing of the newcomers, while very fine and with an attractive, soft-grained tone, does not convey the thrill of the work in the same way as the Russian duo, where primo and secondo are better focused and less inclined to put the brakes on.
This slight politesse of approach is also present in the Introduction and Rondo capriccioso, an unashamed showpiece for the violin which loses its raison d’être if it fails to thrill. It all sounds lovely in the hands of Silver and Garburg but only truly lifts off the page in the excitingly dispatched coda, having got past an unwarranted pause at fig E (6'29") that sounds suspiciously like a missed edit. Daniel Blumenthal and Robert Groslot on their early Marco Polo recording (1993) dazzle and delight to a far greater degree, despite their coarser piano sound.
The most consistently successful title on the new disc is Debussy’s arrangement of Schumann’s Six Canonic Studies for pedal piano, the best known of which (No 5, Nicht zu schnell) is given an enjoyably jaunty airing and, as with the other five, is somehow made more convincing by the Israeli duo and better suited to this medium than in its more usual guise on the organ. A well-recorded disc. Good booklet. Handsomely presented.
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