SCHUBERT et al Trouts
View record and artist detailsRecord and Artist Details
Composer or Director: Gerald Resch, Ferran Cruixent, Johannes X Schachtner, Franz Schubert, Dejan Lazic, Osmo Tapio Räihälä
Genre:
Chamber
Label: Avi
Magazine Review Date: 05/2019
Media Format: CD or Download
Media Runtime: 58
Mastering:
DDD
Catalogue Number: AVI8553408
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Tracks:
Composition | Artist Credit |
---|---|
Cybervariation - After Schubert's "Trout Quintet" |
Ferran Cruixent, Composer
Ferran Cruixent, Composer Janulo Ishizaka, Cello Lena Neudauer, Violin Rick Stotijn, Double bass Silke Avenhaus, Piano Wen Xiao Zheng, Viola |
Quintet for Piano and Strings, 'Trout' |
Franz Schubert, Composer
Franz Schubert, Composer Janulo Ishizaka, Cello Lena Neudauer, Violin Rick Stotijn, Double bass Silke Avenhaus, Piano Wen Xiao Zheng, Viola |
Pond and Spring |
Gerald Resch, Composer
Gerald Resch, Composer Janulo Ishizaka, Cello Lena Neudauer, Violin Rick Stotijn, Double bass Silke Avenhaus, Piano Wen Xiao Zheng, Viola |
Addendum to Schubert's "Trout Quintet" |
Johannes X Schachtner, Composer
Janulo Ishizaka, Cello Johannes X Schachtner, Composer Lena Neudauer, Violin Rick Stotijn, Double bass Silke Avenhaus, Piano Wen Xiao Zheng, Viola |
The Trout Pond |
Dejan Lazic, Composer
Dejan Lazic, Composer Janulo Ishizaka, Cello Lena Neudauer, Violin Rick Stotijn, Double bass Silke Avenhaus, Piano Wen Xiao Zheng, Viola |
Brightwater (Kirkasventinen) |
Osmo Tapio Räihälä, Composer
Janulo Ishizaka, Cello Lena Neudauer, Violin Osmo Tapio Räihälä, Composer Rick Stotijn, Double bass Silke Avenhaus, Piano Wen Xiao Zheng, Viola |
Author: David Threasher
It’s also a fiendish work to balance for microphones, and here the piano’s resonance is accentuated to a greater extent than that of the strings. This isn’t a problem in itself but can in places lead to the ring of the piano’s high writing in octaves dominating at the expense of the lower compass of the other instruments. On the other hand, the rhythmic motor that powers the Andante is made all the more audible as it passes between instruments and each player’s moment in the sun in the fourth-movement variations is ably characterised. When charismatic players such as these gather to perform such a charismatic work as this, the results are always highly satisfactory.
The companion pieces take thematic material from ‘Die Forelle’, the song that provides the theme for Schubert’s variations (and the quintet’s nickname). The challenge for each composer is to create individual music in a modern language from material that is ineradicably tonal, based on triads and scalic figures. Ferran Cruixent slows down the theme and fogs it with clouds and clusters; Gerald Resch and Johannes X Schachtner break it into fragments; Dejan Lazić introduces a faintly jazzy feel and Osmo Tapio Räihälä deploys glissandos and extended string techniques. But even without knowing the context in which they were created, you’d guess straightaway the source material for these five modern miniatures.
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