Schubert Complete Lieder, Vol. 7
View record and artist detailsRecord and Artist Details
Composer or Director: Franz Schubert
Label: Schubert Edition
Magazine Review Date: 8/1990
Media Format: Cassette
Media Runtime: 0
Mastering:
DDD
Catalogue Number: KJ33007
Tracks:
Composition | Artist Credit |
---|---|
Minona oder die Kunde der Dogge |
Franz Schubert, Composer
Elly Ameling, Soprano Franz Schubert, Composer Graham Johnson, Piano |
(Der) Jüngling am Bache (second version) |
Franz Schubert, Composer
Elly Ameling, Soprano Franz Schubert, Composer Graham Johnson, Piano |
Stimme der Liebe (first version) |
Franz Schubert, Composer
Elly Ameling, Soprano Franz Schubert, Composer Graham Johnson, Piano |
Naturgenuss |
Franz Schubert, Composer
Elly Ameling, Soprano Franz Schubert, Composer Graham Johnson, Piano |
(Des) Mädchens Klage (second version) |
Franz Schubert, Composer
Elly Ameling, Soprano Franz Schubert, Composer Graham Johnson, Piano |
(Die) Sterbende |
Franz Schubert, Composer
Elly Ameling, Soprano Franz Schubert, Composer Graham Johnson, Piano |
An den Mond |
Franz Schubert, Composer
Elly Ameling, Soprano Franz Schubert, Composer Graham Johnson, Piano |
An die Nachtigall |
Franz Schubert, Composer
Elly Ameling, Soprano Franz Schubert, Composer Graham Johnson, Piano |
(Die) Liebe (Klärchens Lied) |
Franz Schubert, Composer
Elly Ameling, Soprano Franz Schubert, Composer Graham Johnson, Piano |
Meeres Stille (first version) |
Franz Schubert, Composer
Elly Ameling, Soprano Franz Schubert, Composer Graham Johnson, Piano |
Idens Nachtgesang |
Franz Schubert, Composer
Elly Ameling, Soprano Franz Schubert, Composer Graham Johnson, Piano |
Von Ida |
Franz Schubert, Composer
Elly Ameling, Soprano Franz Schubert, Composer Graham Johnson, Piano |
(Das) Sehnen |
Franz Schubert, Composer
Elly Ameling, Soprano Franz Schubert, Composer Graham Johnson, Piano |
(Die) Spinnerin |
Franz Schubert, Composer
Elly Ameling, Soprano Franz Schubert, Composer Graham Johnson, Piano |
Wer kauft Liebesgötter |
Franz Schubert, Composer
Elly Ameling, Soprano Franz Schubert, Composer Graham Johnson, Piano |
An den Frühling (first version) |
Franz Schubert, Composer
Elly Ameling, Soprano Franz Schubert, Composer Graham Johnson, Piano |
(Das) Rosenband |
Franz Schubert, Composer
Elly Ameling, Soprano Franz Schubert, Composer Graham Johnson, Piano |
Liane |
Franz Schubert, Composer
Elly Ameling, Soprano Franz Schubert, Composer Graham Johnson, Piano |
Idens Schwanenlied |
Franz Schubert, Composer
Elly Ameling, Soprano Franz Schubert, Composer Graham Johnson, Piano |
Luisens Antwort |
Franz Schubert, Composer
Elly Ameling, Soprano Franz Schubert, Composer Graham Johnson, Piano |
Mein Gruss an den Mai |
Franz Schubert, Composer
Elly Ameling, Soprano Franz Schubert, Composer Graham Johnson, Piano |
Kennst du das Land (Mignons Gesang) |
Franz Schubert, Composer
Elly Ameling, Soprano Franz Schubert, Composer Graham Johnson, Piano |
Nur wer die Sehnsucht kennt (first version), Movement: first working A flat |
Franz Schubert, Composer
Elly Ameling, Soprano Franz Schubert, Composer Graham Johnson, Piano |
Nur wer die Sehnsucht kennt (first version), Movement: second working F |
Franz Schubert, Composer
Elly Ameling, Soprano Franz Schubert, Composer Graham Johnson, Piano |
Composer or Director: Franz Schubert
Label: Schubert Edition
Magazine Review Date: 8/1990
Media Format: CD or Download
Media Runtime: 71
Mastering:
DDD
Catalogue Number: CDJ33007
Tracks:
Composition | Artist Credit |
---|---|
Minona oder die Kunde der Dogge |
Franz Schubert, Composer
Elly Ameling, Soprano Franz Schubert, Composer Graham Johnson, Piano |
(Der) Jüngling am Bache (second version) |
Franz Schubert, Composer
Elly Ameling, Soprano Franz Schubert, Composer Graham Johnson, Piano |
Stimme der Liebe (first version) |
Franz Schubert, Composer
Elly Ameling, Soprano Franz Schubert, Composer Graham Johnson, Piano |
Naturgenuss |
Franz Schubert, Composer
Elly Ameling, Soprano Franz Schubert, Composer Graham Johnson, Piano |
(Des) Mädchens Klage (second version) |
Franz Schubert, Composer
Elly Ameling, Soprano Franz Schubert, Composer Graham Johnson, Piano |
(Die) Sterbende |
Franz Schubert, Composer
Elly Ameling, Soprano Franz Schubert, Composer Graham Johnson, Piano |
An den Mond |
Franz Schubert, Composer
Elly Ameling, Soprano Franz Schubert, Composer Graham Johnson, Piano |
An die Nachtigall |
Franz Schubert, Composer
Elly Ameling, Soprano Franz Schubert, Composer Graham Johnson, Piano |
(Die) Liebe (Klärchens Lied) |
Franz Schubert, Composer
Elly Ameling, Soprano Franz Schubert, Composer Graham Johnson, Piano |
Meeres Stille (first version) |
Franz Schubert, Composer
Elly Ameling, Soprano Franz Schubert, Composer Graham Johnson, Piano |
Idens Nachtgesang |
Franz Schubert, Composer
Elly Ameling, Soprano Franz Schubert, Composer Graham Johnson, Piano |
Von Ida |
Franz Schubert, Composer
Elly Ameling, Soprano Franz Schubert, Composer Graham Johnson, Piano |
(Das) Sehnen |
Franz Schubert, Composer
Elly Ameling, Soprano Franz Schubert, Composer Graham Johnson, Piano |
(Die) Spinnerin |
Franz Schubert, Composer
Elly Ameling, Soprano Franz Schubert, Composer Graham Johnson, Piano |
Wer kauft Liebesgötter |
Franz Schubert, Composer
Elly Ameling, Soprano Franz Schubert, Composer Graham Johnson, Piano |
An den Frühling (first version) |
Franz Schubert, Composer
Elly Ameling, Soprano Franz Schubert, Composer Graham Johnson, Piano |
(Das) Rosenband |
Franz Schubert, Composer
Elly Ameling, Soprano Franz Schubert, Composer Graham Johnson, Piano |
Liane |
Franz Schubert, Composer
Elly Ameling, Soprano Franz Schubert, Composer Graham Johnson, Piano |
Idens Schwanenlied |
Franz Schubert, Composer
Elly Ameling, Soprano Franz Schubert, Composer Graham Johnson, Piano |
Luisens Antwort |
Franz Schubert, Composer
Elly Ameling, Soprano Franz Schubert, Composer Graham Johnson, Piano |
Mein Gruss an den Mai |
Franz Schubert, Composer
Elly Ameling, Soprano Franz Schubert, Composer Graham Johnson, Piano |
Kennst du das Land (Mignons Gesang) |
Franz Schubert, Composer
Elly Ameling, Soprano Franz Schubert, Composer Graham Johnson, Piano |
Nur wer die Sehnsucht kennt (first version), Movement: first working A flat |
Franz Schubert, Composer
Elly Ameling, Soprano Franz Schubert, Composer Graham Johnson, Piano |
Nur wer die Sehnsucht kennt (first version), Movement: second working F |
Franz Schubert, Composer
Elly Ameling, Soprano Franz Schubert, Composer Graham Johnson, Piano |
Author: Alan Blyth
In reviewing these Hyperion discs I have usually alighted on one song as a particular discovery. In this selection of songs written in 1815, there are two—Die Sterbende, a Matthisson setting conveying the message ''Death where is they sting'' that is quite arresting in its simplicity, and Von Ida, one of several Kosegarten settings in this collection, an other-worldly song with its ''exquisitely modal and palely translucent three-part invention'' (Johnson). Both have the inestimable benefit of Ameling's poised, tenderly accented singing—and both rate high in my canon of Schubert interpretation. The urgent Das Sehnen, another Kosegarten setting, the extraordinarily improvisatory Das Rosenband (a Klopstock text also set by Strauss), the earlier version of Goethe's Meeresstille (what a sustained piano!), all are sung in a similarly inward and revealing manner. The lighter, smiling Ameling is to be heard in another Goethe setting, Die Spinnerin, and in the Mayrhofer piece, Liane, in which the protagonist goes to her tryst in a boat, a quite unjustly neglected example of Schubert's rippling water music. Then at the end we encounter convincing accounts of Mignon (Schubert's only setting of Goethe's
Even then I have neglected to mention the familiar but welcome An den Mond (Holty), lovingly interpreted in voice and piano, the quite haunting Idens Schwanenlied (Kosegarten), a spare, graceful, unaccountably sad piece, and the deliberately Mozartian Luisens Antwort (Kosegarten), a reply to the older composer's Das Lied der Trennung, and the histrionic, equally Mozartian—it has an uncanny resemblance to the Requiem's Lacrimosa—Des Madchens Klage (Schiller), in which Ameling's dramatic singing makes one regret her deliberate avoidance of the opera stage. Just once or twice here, where Ameling presses on her tone, it can lose quality these days. I would occasionally have liked to hear Johnson's piano given more prominence: his unfailingly sensitive, responsive (to his singer) playing is surely sometimes more modest in effect than either Johnson or his producer intends. But this is a very marginal reservation about a lovely and highly recommended disc.'
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