SCHMIDT Symphony No 2 STRAUSS Festival Prelude
View record and artist detailsRecord and Artist Details
Composer or Director: Richard Strauss, Franz Schmidt
Genre:
Orchestral
Label: MDG
Magazine Review Date: AW17
Media Format: Super Audio CD
Media Runtime: 62
Mastering:
DDD
Catalogue Number: MDG937 2006-6
Tracks:
Composition | Artist Credit |
---|---|
Festliches Präludium |
Richard Strauss, Composer
Bonn Beethoven Orchestra Richard Strauss, Composer Stefan Blunier, Conductor |
Symphony No. 2 |
Franz Schmidt, Composer
Bonn Beethoven Orchestra Franz Schmidt, Composer |
Author: Hugo Shirley
The coupling gives a clue to Blunier’s approach, which is more forthright and bold than Bychkov’s – impulsive and fiery, with a real sense of symphonic sweep. If Bychkov and his players communicate affection, Blunier and his (who already set down the Fourth for MDG at the beginning of the decade) offer something more like passionate engagement with the piece.
The result, though not always subtle, is undoubtedly exciting, and difficult to resist. The opening movement is properly Lebhaft (and listen the warmth in the violins’ yearning melody at 11'53"). There’s a real sense of Schwung in the remarkable, dizzying last couple of minutes of the finale and a fine sense of flow in the tricky Allegretto con variazioni.
But while this performance, captured live, is persuasive as a big picture, a closer listen reveals a little roughness around the edges. There’s a slight lack of security in all the weaving filigree that is such a feature of the first movement, compared at least to the Vienna Philharmonic’s polish, and some raggedness elsewhere – in Variation 7 in the second movement, for example. Higher-lying lines in general have something of the tightrope walk about them.
That will bother some more than others in what’s nevertheless a thoroughly enjoyable performance, situated somewhere between Bychkov’s mellow refinement and the brassy thrills of Neeme Järvi’s Chicago account; it feels closest, in fact, to Vassily Sinaisky’s Malmö recording on Naxos. The engineering, I should add, is rich and seductive.
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