The benchmark for the Second Symphony was set down by Neeme Järvi and the Chicago Symphony Orchestra, an exhilarating account that still ranks as one of the finest interpretations of his music. Composed in 1911-13, it remains that rare combination, a work of tremendous immediate appeal and a compositional tour de force. Its three movements share thematic links reinforcing the impression of craftsmanship about this score, but the exuberance of the melodic invention and rich orchestration sweep such academic considerations aside through its sheer physical impact.

It is this physicality that makes such a lasting impression, such that once heard it is not forgotten. Thus the beguiling opening paragraph draws one into what seems a benign and peaceful musical environment only for this to be swept away by the invigorating developments that ensue.

Sinaisky and the Malmö Symphony get into the swing of Schmidt’s freewheeling invention and with a splendid recording from Naxos (although not quite in the Chandos league) at budget price this is self-recommending. The price edges them past Fabio Luisi on Querstand (not the easiest label to track down) and there is the added bonus of the late, celebratory Fuga solemnis for organ, brass and percussion (1937), written to inaugurate a new instrument in Vienna. Even if one has the symphony already, I urge you to try this newcomer. One cannot have too much Schmidt.