Salisbury Meditation (John Challenger)
View record and artist detailsRecord and Artist Details
Genre:
Instrumental
Label: AJM
Magazine Review Date: 06/2021
Media Format: CD or Download
Media Runtime: 62
Mastering:
DDD
Catalogue Number: AJM001
Tracks:
Composition | Artist Credit |
---|---|
(4) Orchestral Suites, Movement: No. 3 in D, BWV1068 (2 oboes, 3 trumpets, strings |
Johann Sebastian Bach, Composer
John Challenger, Organ |
Cantata No. 147, 'Herz und Mund und Tat und Leben', Movement: Choral: Jesu bleibet meine Freude (Jesu, joy of man's desiring) |
Johann Sebastian Bach, Composer
John Challenger, Organ |
Chanson de matin |
Edward Elgar, Composer
John Challenger, Organ |
Adagio |
Tomaso Giovanni Albinoni, Composer
John Challenger, Organ |
Cantata No. 208, 'Was mir behagt, ist nur die munt, Movement: Aria: Schafe können sicher weiden (Sheep may safely graze) |
Johann Sebastian Bach, Composer
John Challenger, Organ |
Berenice, Movement: Minuet |
George Frideric Handel, Composer
John Challenger, Organ |
Sicilienne |
Maria Theresia von Paradis, Composer
John Challenger, Organ |
Water Music, Movement: Horn Suite in F: |
George Frideric Handel, Composer
John Challenger, Organ |
(Le) Carnaval des animaux, 'Carnival of the Animals', Movement: The swan |
Camille Saint-Saëns, Composer
John Challenger, Organ |
Salut d'amour |
Edward Elgar, Composer
John Challenger, Organ |
Chanson de nuit |
Edward Elgar, Composer
John Challenger, Organ |
(3) Preludes on Welsh Hymn-Tunes, Movement: No. 2, Rhosymedre (melody by J. D. Edwards: 1805-1885) |
Ralph Vaughan Williams, Composer
John Challenger, Organ |
Woodland Sketches, Movement: To a wild rose |
Edward (Alexander) MacDowell, Composer
John Challenger, Organ |
(11) Chorale Preludes, Movement: Es ist ein Ros entsprungen |
Johannes Brahms, Composer
John Challenger, Organ |
Suite gothique, Movement: Prière à Notre-Dame |
Léon Boëllmann, Composer
John Challenger, Organ |
Author: Malcolm Riley
With the majority of our fine organs having been sadly silenced for so many months, it was heartening to see the news report in March 2021 concerning the organists of Salisbury Cathedral, who had the bright idea to musically support those in the nave receiving their Covid inoculations. The cathedral’s organist, David Halls, and his assistant, John Challenger, provided over 270 hours’ worth of live, soothing organ music for those attending.
Now John Challenger has recorded 16 of the most popular pieces, mostly transcriptions, on the wonderful ‘Father’ Willis, recorded with honesty (and a fair amount of wind noise), starting with a brace by Bach. The Air on the G string is beautifully paced, though Jesu, joy of man’s desiring seems sluggish. Elgar’s Chanson de matin is full of colour, with the central section building to a mighty, reedy climax. The full string section shimmers in the Albinoni confection and Maria Theresia Paradis’s gorgeous Siciliano is limpidly alluring. Handel’s Berenice Minuet is equally charming and works well without the 16ft register in the pedal. Saint-Saëns’s Swan is clearly happy to sail down the Avon. Of those pieces written originally for the organ, Vaughan Williams’s Rhosymedre flows gently, growing in splendour, and Mendelssohn’s Third Sonata is smoothness personified.
This splendid anthology – released to raise funds for NHS Charities Together, the membership body for 241 NHS charities – is one of the great positives to have come out of these troubled times and deserves every support and success
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